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The mirror effect

Seeing and being seen in the cult of María Lionza (Venezuela)

Bibliographic Data

ID18967177
AuthorsR Canals (0000-0002-1529-5943, corresponding author)
Year2018
Volume33
Issue2
Pages161-171
Publication date2018-04-03
Open AccessNo
TypeARTICLE
VenueVisual Studies (JOURNAL)
Journal identifiersISSN: 1472-586X • E-ISSN: 1472-5878
PublisherInforma UK Limited (PUBLISHER • GB)
DOI10.1080/1472586x.2018.1470902
OpenAlexW2889031043
LanguageEN
Citations received5
References cited15

In the cult of María Lionza (Venezuela), the look or gaze constitutes a fundamental aspect of the ritual process, since it is one of the privileged ways through which the relations between spirits, mediums and participants are established. The use of the camera as a research method helps to gain a better understanding of this issue, since the action of holding a camera – and looking through it – may provoke comments and reactions among believers, resulting in a process by which a set of assumptions about the meaning of seeing and being seen that usually remain implicit become explicit. Most of the time, these newly explicit assumptions appear as visual prohibitions or as a consequence of a mistake made by the researcher. What I defend in this paper is that ‘visual mistakes’ and prohibitions are very valuable in anthropological research and should be taken into account. The text concludes with two general reflections: one about the connection between cinema and the sacred, and the other about the intimate relationship between what we usually call ‘theory’ and ‘practice’ in visual anthropology

Aesthetics · Art · Cult · Epistemology · Gaze · Mistake · Movie theater · Political science · Psychoanalysis · Sociology · Theology · Visual arts · Computer Science · Law · Literary and Cultural Studies · Philosophy · Photographic and Visual Arts · Psychology · Visual Culture and Art Theory

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Citation span2018 - 2024 (7)
Highly citedNo

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