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The ‘phantom mask’ in Phoenix (2014) and See You Up There (2017)

Bibliographic Data

ID18972714
AuthorsSiyuan Zhao (0000-0002-8954-2548, Twitter (United States), corresponding author)
Year2022
Volume37
Issue5
Pages530-540
Publication date2022-10-20
Peer ReviewedYes
Open AccessNo
TypeARTICLE
VenueVisual Studies (JOURNAL)
Journal identifiersISSN: 1472-586X • E-ISSN: 1472-5878
PublisherInforma UK Limited (PUBLISHER • GB)
DOI10.1080/1472586x.2020.1796523
OpenAlexW3047322439
LanguageEN
References cited9

This paper applies a theoretical approach to discuss the ways in which film as a mode of narration uses the perception of the ‘phantom mask’ as an emblem of post-war trauma. By associating the mask with trauma and memory in the context of two post-war films, Phoenix (2014) and See You Up There (2017), it analyses how individual trauma is presented and interwoven with a historical event. Firstly, the paper coins a new term ‘phantom mask’, and explains how this is derived from the phenomenon of the ‘disfigured face’ associated with ‘shell shock’ and other features in theories of trauma outlined by scholars. Secondly, as the characters in these films are trapped at a certain point in their past, I argue that a space for role-playing is created that allows the narration of individual traumatic experience to deviate from collective trauma, thereby distinguishing it from most post-war traumatic films. Thirdly, I suggest that this schizophrenia-like narrative allows a character to abandon their personal responsibility for the grand historical narrative in a kind of ‘a guilt-free homecoming’. Using this framework, the paper strives to provide a critical strategy and method for analysing literary trauma, refocusing on the possible ways in which history is constructed by both trauma and memory

Aesthetics · Art · Literature · Narrative · Perception · Psychoanalysis · Sociology · Visual arts · History · Memory, Trauma, and Commemoration · Philosophy, History, and Historiography · Psychology · World Wars: History, Literature, and Impact

  • Unclaimed Experience

    Cathy Caruth•Unclaimed experience•1996

  • Shell Shock, Trauma, and the First World War

    TRACEY LOUGHRAN•Journal of the History of…•2012

  • Two types of shock in modernity

    Open Access•Taylor Armstrong, Tim Armstrong•Critical Quarterly•2000

  • Unclaimed experience

    Cathy Caruth•Unclaimed experience•1996

  • Powers of the Mask

    Open Access•Lone Riisgaard, B Thomassen•Theory Culture & Society•2016

Citation velocityhistorical
Highly citedNo

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