Streaming Video
Storytelling Across Borders
Bibliographic Data
| ID | 18974740 |
|---|---|
| Editors | Amanda D Lotz (0000-0002-6220-6501), Ramon Lobato (0000-0002-1689-7233) |
| Year | 2023 |
| Publication date | 2023-12-31 |
| Open Access | No |
| Type | BOOK |
| Venue | Streaming Video (SOURCE_BOOK) |
| Publisher | New York University Press (PUBLISHER) |
| DOI | 10.18574/nyu/9781479816866.001.0001 |
| OpenAlex | W4377991073 |
| ISBN | 9781479816866 |
| Language | EN |
| Citations received | 15 |
An international team of experts explores how streaming services are disrupting traditional storytelling. The rise of streaming has dramatically transformed how audiences consume media. Over the last decade, subscription video-on-demand (SVOD) services, including Netflix, Prime Video, and Disney+, have begun commissioning and financing their own original movies and TV shows, changing the way and the rate at which content is produced across the globe, from Mexico City to Mumbai. Streaming Video maps this international production boom and what it means for producers, audiences, and storytellers. Through eighteen richly textured case studies, ranging from original Korean dramas on Netflix to BluTV’s experimental Turkish series, the book investigates how streaming services both disrupt and maintain storytelling traditions in specific national contexts. To what extent, and how, are streamers expanding norms of television and film storytelling in different parts of the world? Are streamers enabling the creation of content that would not otherwise exist? What are the implications for different viewers, in different countries, with different tastes? Together, the chapters critically assess the impacts of streaming on twenty-first century audiovisual storytelling and rethink established understandings of transnational screen flows
Asian Culture and Media Studies · Cinema and Media Studies · Computer Science · South Asian Cinema and Culture
Streaming diversity
What Brazilianness looks like
Streaming Diversité
Presentación del Monográfico
When Latin American Melodrama Meets Nordic Noir
“Everybody Is Moving From Long Form to Short Form”
Recycling as ‘IP extractivism’ in the age of platformization
Dubbing wars
Relocating video cultures
Not just Netflix
Streaming video and diasporic worldmaking
LGBTQ+ Representation in American Fiction Series
How “original” are Netflix Original films? Mapping and understanding the recycling of content in the age of streaming cinema
Dependence in the online screen industry
Provocation
| Citations per year | 5 |
|---|---|
| Citation span | 2023 - 2026 (4) |
| Highly cited | No |