Views of continuity and change
The Press Photo Archives in Buea, Cameroon
Datos Bibliográficos
| ID | 18975855 |
|---|---|
| Autores | Jürg Schneider (0000-0001-7109-3994, ORCID, autor de correspondencia) |
| Año | 2018 |
| Volumen | 33 |
| Número | 1 |
| Páginas | 28-40 |
| Fecha de publicación | 2018-01-02 |
| Peer Reviewed | Sí |
| Open Access | No |
| Tipo | ARTICLE |
| Revista | Visual Studies (JOURNAL) |
| Identificadores de la revista | ISSN: 1472-586X • E-ISSN: 1472-5878 |
| Editorial | Informa UK Limited (PUBLISHER • GB) |
| DOI | 10.1080/1472586x.2018.1426224 |
| OpenAlex | W2794259257 |
| Idioma | EN |
| Citas recibidas | 5 |
| Referencias citadas | 22 |
The English-speaking part of Cameroon in the south western part of the country, two of a total of 10 regions and making up roughly 20% of the population, joined French Cameroun in 1961 to form the Federal Republic of Cameroon. In 1972, a new constitution replaced the federation with a unitary state called the United Republic of Cameroon. The Press Photo Archives in Buea, West Cameroon’s former capital, is a remnant of this period. Covering a short but crucial period before independence as well as the process of the new independent state’s formation and subsequent transformation into the Republic of Cameroon, the material of the Press Photo Archives and the Archives’ institutional development grant, from an Anglophone perspective, a deep insight into this long and complex history. The photographs reflect continuity and change of state-wide rituals and the development of new iconographies as well as a challenged identity within the Cameroonian nation. However, the Archives not only store records of the past in a wide spectrum of topics but also the spectres of a contested past which needs to be controlled and appeased. The Press Photo Archives were an integral part of the Government Photographic Service which was created in 1955 by the British and continued its activities after independence as of part of the Ministry of Information and Culture and later the Ministry of Communication. The governmental photographers’ duty was to follow any governmental or otherwise socially relevant events throughout the Anglophone regions of Cameroon
Christian ministry · Constitution · Duty · Media studies · Political science · Population · Sociology · The Republic · African history and culture studies · Cultural Identity and Heritage · Historical Studies and Socio-cultural Analysis · History · Law
Signal and Noise
Picturing Empire
Portrait of the King
Radical Nationalism in Cameroun
Cine-film, Film-strips and the Devolution of Colonial Photography in The Gambia
The Topography of the Early History of African Photography
The Pan-African Nation
Imagined communities
The Post-War Career of the Colonial Film Unit in Africa
The Central African Film Unit's images of empire, 1948-1963
The British Colonial Film Unit and sub-Saharan Africa, 1939-1945
Are You Proud to Be British
Plantation and Village in the Cameroons
Festivals and the French Revolution
The politics of portrait photographs in southern Nigerian newspapers, 1945-1954
Plantation and Village in the Cameroons
Imagined Communities. Reflections on the Origin and Spread of Nationalism
Imagining the Real
Demand and Supply
| Obras citantes distintas | 5 |
|---|---|
| Citas por año | 0,71 |
| Intervalo de citas | 2019 - 2024 (6) |
| Velocidad de citación | recent |
| Altamente citado | No |
| Tipos de cita | Neutras: 5 |