“The Pleasure of Drawing While People are Drowning” Graphic Literature and the Critical Engagement with Death in Migratory Spaces
Bibliographic Data
| ID | 18977848 |
|---|---|
| Authors | Markus Arnold (0000-0003-2865-5028, University of Cape Town, corresponding author) |
| Year | 2024 |
| Volume | 26 |
| Issue | 1 |
| Pages | 155-176 |
| Publication date | 2024-01-02 |
| Peer Reviewed | Yes |
| Open Access | No |
| Type | ARTICLE |
| Venue | Interventions (JOURNAL) |
| Journal identifiers | ISSN: 1369-801X • E-ISSN: 1469-929X |
| Publisher | Informa UK Limited (PUBLISHER • GB) |
| DOI | 10.1080/1369801x.2023.2190909 |
| OpenAlex | W4365148468 |
| Language | EN |
| Citations received | 5 |
| References cited | 12 |
Following its substantial diversification over the past two decades, graphic literature now occupies numerous symbolic locations within both the artistic field and other areas of representation and social discourse. While notably (auto)biographical, testimonial, and non-fictional graphic storytelling has contributed to the medium’s increased legitimization and visibility, it has also become fertile in addressing complex political issues such as war, displacement, and migration. Yet these newly “engaged” productions of a polysemic medium touch on several complex, partly interrelated questions. On the one hand lingers the reduction to the solely illustrative, on the other the suspicion of simplification and superficiality – all of which cannot be easily dismissed when graphic texts become simple pre-texts for other presumably extra-textual matter: identity, politics, society, and so on. However, like in the case of literature, certain forms of fictionalization and aesthetic play may meet with (ethical) reservations for topical issues which seem to rather call for “serious” and “factual” attention. And, of course, discursive and visual expression entertains a multiple relationship, where one may compensate for, double, or strategically contrast the other. Informed by such interrogations about the specificity of the medium and the intricacy of its new “engaged” formats, this essay focuses on the graphic work on migration and displacement of selected contemporary Francophone authors (Edmond Baudoin and Troubs, Yvan Alagbé, Jean-Philippe Stassen) and discusses several ways of representing and reflecting on death of migrants and refugees in these narratives. It will demonstrate that writing about such sensitive problems does not have the same scenographical implications, nor does it trigger the same (empathetic and critical) response as drawing them. This ultimately reveals that the aesthetic and political relevance of these graphic works lies in the medium’s characteristic interplay between text and image
Aesthetics · Art · Literature · Media studies · Narrative · Pleasure · Political science · Politics · Sociology · Storytelling · Comics and Graphic Narratives · History · Law · Migration and Exile Studies · North African History and Literature · Psychology
| Unique citing works | 5 |
|---|---|
| Citations per year | 5 |
| Citation span | 2025 - 2025 (1) |
| Citation velocity | recent |
| Highly cited | No |
| Citation types | Neutral: 5 |