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Everybody’s Protest Song

Music as Social Protest in the Performances of Marian Anderson and Billie Holiday

Bibliographic Data

ID18988134
AuthorsJanell Hobson (University at Albany, State University of New York, corresponding author)
Year2008
Volume33
Issue2
Pages443-448
Publication date2008-01-01
Peer ReviewedYes
Open AccessNo
TypeARTICLE
VenueSigns: Journal of Women in Culture and Society (JOURNAL)
Journal identifiersISSN: 0097-9740 • E-ISSN: 1545-6943
PublisherUniversity of Chicago Press (PUBLISHER • US)
DOI10.1086/521057
OpenAlexW2083574128
LanguageEN
Citations received3
References cited3

Active listening · Art history · Jazz · Media studies · Sociology · State (computer science) · Art, Politics, and Modernism · Gender Studies · History · Music History and Culture

  • Music and Social Movements

    Open Access•William F Danaher•Sociology Compass•2010

  • Exposing her body, revealing the nation

    Vannina Sztainbok•Social Identities•2013

  • Listening for the Interior in Hip-Hop and R&B Music

    Open Access•Tennille Nicole Allen, Antonia Randolph•Sociology of Race and Ethnicity•2020

  • My Lord, What a Morning--An Autobiography

    Etta L Williamson, Marian Anderson•The Journal of Negro Education•1957

  • African-American Women's History and the Metalanguage of Race

    Evelyn Brooks Higginbotham•Signs: Journal of Women in…•1992

Unique citing works3
Citations per year0,19
Citation span2010 - 2020 (11)
Citation velocityhistorical
Highly citedNo
Citation typesNeutral: 3

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