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[Agrave] ma sœur

Erotic Bodies and the Primal Scene Reconfigured

Bibliographic Data

ID18988581
AuthorsEmily Fox‐Kales (corresponding author)
Year2010
Volume14
Issue1
Pages15-26
Publication date2010-01-01
Open AccessNo
TypeARTICLE
VenueJournal for Cultural Research (JOURNAL)
Journal identifiersISSN: 1479-7585 • E-ISSN: 1740-1666
PublisherInforma UK Limited (PUBLISHER • GB)
DOI10.1080/14797580903363058
OpenAlexW1988861416
LanguageEN
References cited8

The cinema of Catherine Breillat is noted for its violent and provocative investigations of human sexuality. While her 2001 film [Agrave] ma sœur! does indeed have much to say about the emergence of adolescent female desire and the betrayal of male romantic discourse, it interrogates more importantly the intrapsychic nature of sexual fantasy and experience through its recreation of the primal scene trauma. In its examination of the relationship between two adolescent sisters, one fat and one thin, the film asks us to consider another relationship as well: the voyeurism of the "fat girl" and our own spectatorial gaze at the brutality of the girls' sexual initiations

Aesthetics · Art · Betrayal · Developmental psychology · Exhibitionism · Fantasy · Gaze · Girl · Human sexuality · Literature · Movie theater · Psychoanalysis · Recreation · Romance · Sociology · Visual arts · Voyeurism · Cinema and Media Studies · French Historical and Cultural Studies · Gender Studies · Psychology · Shakespeare, Adaptation, and Literary Criticism · Social Psychology

  • Against our will

    Susan Brownmiller•Against our will•1975

  • Psychoanalysis and Cinema

    Open Access•Christian Metz, Celia Britton et al.•Psychoanalysis and Cinema•1982

  • Film Bodies

    Linda Williams•Film Quarterly•1991

  • Feminist Film Theory

    Sue Thornham•Feminist Film Theory•1999

  • Against Our Will. Men, Women and Rape

    J B Elshtain•Telos•1976

  • Life and Death in Psychoanalysis

    Jean Laplanche, Jeffrey Mehlman•Life and Death in Psychoanalysis•1985

Highly citedNo
Open DOISci-Hub
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