The political work of graffiti during the Covid-19 pandemic
A view from Tottenham, London
Datos Bibliográficos
| ID | 19001092 |
|---|---|
| Autores | Holly Eva Ryan (0000-0003-3028-4852, autor de correspondencia) |
| Año | 2021 |
| Volumen | 36 |
| Número | 2 |
| Páginas | 133-140 |
| Fecha de publicación | 2021-03-15 |
| Peer Reviewed | Sí |
| Open Access | No |
| Tipo | ARTICLE |
| Revista | Visual Studies (JOURNAL) |
| Identificadores de la revista | ISSN: 1472-586X • E-ISSN: 1472-5878 |
| Editorial | Taylor & Francis (PUBLISHER • GB) |
| DOI | 10.1080/1472586x.2021.1911677 |
| OpenAlex | W3158091411 |
| Idioma | EN |
| Citas recibidas | 4 |
| Referencias citadas | 9 |
Graffiti and its ancillary forms have been used for a wide variety of purposes including ornamentation, territorial demarcation, commercial announcements and political contestation. This visual essay takes up Lyman Chaffee's notion that graffiti can constitute an alternative media system that offers a glimpse into emerging and evolving political discourses. Using 'walking-as-method' in a north London neighbourhood, it surveys the array of political graffiti produced in the context of the UK's first wave of Covid-19 and accompanying period of lockdown. In so doing, it presents a visual chronology of shifting popular opinion on the British state's handling of the pandemic and illuminates the ways that the politics of pandemic management has intersected with other national and local concerns, from the resourcing of public services to the Black Lives Matter campaign
Aesthetics · Archaeology · Art · Graffiti · Media studies · Pandemic · Political science · Politics · Sociology · Visual arts · Geographies of human-animal interactions · History · Law · Public Spaces through Art · Urban and sociocultural dynamics
| Obras citantes distintas | 4 |
|---|---|
| Citas por año | 1 |
| Intervalo de citas | 2022 - 2025 (4) |
| Velocidad de citación | recent |
| Altamente citado | No |
| Tipos de cita | Neutras: 4 |