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The multipart film

Extended anthropological analysis and non-textual forms

Bibliographic Data

ID19001673
AuthorsA Grimshaw (0000-0002-1802-7661, corresponding author)
Year2020
Volume36
Issue1
Pages51-62
Publication date2020-06-15
Open AccessNo
TypeARTICLE
VenueVisual Studies (JOURNAL)
Journal identifiersISSN: 1472-586X • E-ISSN: 1472-5878
PublisherTaylor & Francis (PUBLISHER • GB)
DOI10.1080/1472586x.2020.1763195
OpenAlexW3034353383
LanguageEN
Citations received1
References cited11

Ethnographic filmmakers have long struggled to make a case for the intellectual seriousness of their work. Although this is changing, especially in certain areas of the discipline (sensory ethnography, collaborative research, for example), the kinds of inquiry the medium of film facilitates is often not clear to those whose familiarity lies exclusively with written argument-based forms. Another problem for the ethnographic filmmaker, hitherto unacknowledged, is the dominance of the self-standing film and the limitations it places on the analytical possibilities of their medium. This article explores the potential of a multi-part work as an important alternative. Drawing on selected films of David MacDougall (To Live With Herds, the Turkana Trilogy and the Doon School series), it highlights his experimentation with academic form. Offering fresh insight into MacDougall’s contribution to an intellectually ambitious agenda for filmmaking in anthropology, it raises questions about the nature and scope of analytical work pursued outside of the discipline’s established textual conventions. How might multipart work offer an important example of how film can function as a medium for extended anthropological inquiry

Aesthetics · Art · Epistemology · Ethnography · Film director · Filmmaking · Literature · Movie theater · Seriousness · Sociology · Trilogy · Visual arts · Anthropological Studies and Insights · Anthropology · Participatory Visual Research Methods · Philosophy · Southeast Asian Sociopolitical Studies

  • Extending the Frame

    Open Access•A Grimshaw•Visual Anthropology Review•2022

  • Writing Culture

    K Fortun, James Clifford et al.•Writing Culture•1986

  • The Ethnographer's Eye

    Open Access•A Grimshaw•Ethnographer's Eye•2001

  • Sensuous Scholarship

    P Stoller•Sensuous Scholarship•1997

  • The Modernist Sensibility in Recent Ethnographic Writing and the Cinematic Metaphor of Montage

    Open Access•George E Marcus•Society for Visual Anthropology…•1990

  • Precarity's Forms

    Open Access•Karie Stewart, Kathleen Stewart•Cultural Anthropology•2012

  • Bad Habitus

    Open Access•Stephanie Takaragawa, T Lynn Smith et al.•American Anthropologist•2019

  • Heartened by Iconoclasm

    Open Access•Dick Powis, Richard Powis•American Anthropologist•2017

  • Multimodality

    Open Access•Samuel Gerald Collins, Matthew Durington et al.•American Anthropologist•2017

  • The Doon School Project

    Dai Vaughan•Visual Anthropology•2005

Citations per year0.25
Citation span2022 - 2022 (1)
Highly citedNo

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