Minangkabau male angst and the autobiographical mode

Darman Moenir’s Bako

Bibliographic Data

ID19001950
AuthorsC W Watson (Emeritus Professor, University of Kent, Canterbury, UK, corresponding author)
Year2023
Volume51
Issue150
Pages165-190
Publication date2023-05-04
Peer ReviewedYes
Open AccessYes
TypeARTICLE
VenueIndonesia and the Malay World (JOURNAL)
Journal identifiersISSN: 1363-9811 • E-ISSN: 1469-8382
PublisherRoutledge (PUBLISHER • GB)
DOI10.1080/13639811.2023.2199643
OpenAlexW4384030476
LanguageEN
References cited10

Darman Moenir’s autobiographical novel, Bako, relates the experience of the protagonist – the ‘I’ of the narrative – residing with his mother in the community of his father’s relatives, the bako of the title. According to the principles of Minangkabau matriliny, neither he nor his mother are members of the father’s kin group and there is a tension in the relationship between mother and son on one side and the bako on the other. Through successive chapters, each concerning a significant individual in the protagonist’s boyhood and adolescence, the novel explores this tension and its effects on his mother. A close reading of key passages that employ a narrative device of shifting voices – the boy’s, the narrator’s, the author’s – reveals how the writing works to persuade the reader of the dramatic intensity of the boy’s quest for self-knowledge. A comparison with novels of Minangkabau society of an earlier period shows both continuity and change. The undisguised use of autobiographical experience on which the novel draws is explored through an illuminating comparison with Pramoedya Ananta Toer’s stories and through a glance at the genre of Japanese autobiographical novels and its conventions

Aesthetics · Art · Linguistics · Literature · Narrative · Psychoanalysis · Asian Studies and History · Autobiographical and Biographical Writing · History · Narrative Theory and Analysis · Philosophy · Psychology

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