The polka versus the waltz. Czech national dances in the political context of the nineteenth century
Bibliographic Data
| ID | 19003471 |
|---|---|
| Authors | Daniela Stavělová (0000-0001-8989-559X, corresponding author) |
| Year | 2015 |
| Volume | 44 |
| Issue | 2 |
| Publication date | 2015-12-28 |
| Peer Reviewed | Yes |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Traditiones (JOURNAL) |
| Journal identifiers | ISSN: 0352-0447 • E-ISSN: 1855-6396 |
| Publisher | The Research Center of the Slovenian Academy of Sciences and Arts / Znanstvenoraziskovalni center Slovenske akademije znanosti in umetnosti (ZRC SAZU) (PUBLISHER) |
| DOI | 10.3986/traditio2014440205 |
| OpenAlex | W4248803042 |
| Language | EN |
| References cited | 1 |
The polka and sousedská become such familiar concepts of Czech culture that they have been generally accepted as folk dances and national dances-that is, Czech dances.When searching for the form of these dances in classic Czech collections of folk songs and dances, one is confronted by a very varied and contradictory picture, one that does not allow unambiguous characterization.This research is mostly interested in what helped these dances gain the status of Czech folk dances and national dances, and how they worked as symbols of Czech citizenship
Ancient history · Archaeology · Art · Art history · Czech · Linguistics · Political science · Politics · Waltz · Diversity and Impact of Dance · History · Law · Philosophy
| Citation velocity | historical |
|---|---|
| Highly cited | No |