The Salience and Pervasiveness of the Literary Figure of the Jew in Latin America

Jews of Latin America, from the colonial period to the present, have been branded heretical, inauthentic, or treasonous and perceived as threats to the colonial domination of Spain’s Counter-Reformation and modern iterations of nationalism in the region. Sor Juana Inés de la Cruz’s El divino Narciso (1689) and Jorge Luis Borges’s “El milagro secreto” ([1944] 1993) indicate the salience and pervasiveness of the figure of the Jew, experientially and conceptually, in the region’s literary conversations about power, collectivity, and legitimacy vis-à-vis colonial and modern Europe. The two works reflect a transatlantic, multigenerational, and multigendered conversation that approaches the elimination of the Jew as a bargain that involved a simultaneous loss of American agency on a world stage. Sor Juana emerges not only as Latin America’s first female intellectual; she is Borges’s precursor in demanding an American regional identity and global agency apropos of the metropole’s exclusionary violence toward the Jew within

Agency (philosophy) · Archaeology · Art · Colonialism · Humanities · Latin Americans · Legitimacy · Literature · Nationalism · Political science · Politics · Sociology · Anarchism and Radical Politics · Borges, Kipling, and Jewish Identity · History · Latin American and Latino Studies · Law

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