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Theatre, performance studies and photography

A history of permanent contamination

Bibliographic Data

ID19005943
AuthorsKarel Vanhaesebrouck (0000-0002-5471-838X, corresponding author)
Year2009
Volume24
Issue2
Pages97-106
Publication date2009-09-05
Open AccessNo
TypeARTICLE
VenueVisual Studies (JOURNAL)
Journal identifiersISSN: 1472-586X • E-ISSN: 1472-5878
PublisherTaylor & Francis (PUBLISHER • GB)
DOI10.1080/14725860903106104
OpenAlexW2157814175
LanguageEN
Citations received2
References cited12

From its very beginning photography has always held a tense relation with theatre practice, both media influencing and contaminating each other in a permanent and systematic way. At the same time, both are traditionally situated at opposite ends of a continuum in which the degree of medium specificity is taken as a pivotal point of reference. Under the influence of performance studies on the one hand, and the accelerating hybridisation of theatre practice on the other, this traditional twofold distinction has been increasingly questioned. Within theatre history and performance studies ( the scope of which is not solely defined by contemporary forms of theatricality), photography and more specifically theatre photography occupy a privileged place: they are no longer considered to be a theatrical 'residue', but are, on the contrary, regarded as an integral part of a visual history, of a cultural history, which mainly focuses on the place of theatre in society. At the same time, theatre photography is an integral part of the signification process which is at the very heart of performance studies, contaminating the process of decoding and contributing to the constitution of the expectancy horizon of a public. This article will investigate the different aspects of interference between performance studies, theatre history and photography by means of different concrete examples taken from theatre's photographic heritage

Art · Contamination · Photography · Visual arts · History · Theatre and Performance Studies

  • Caught in the Act

    Daniel Novak, Daniel A Novak Daniel A Novak•Victorian Studies•2016

  • Archival theatre

    James C Robinson•Early Popular Visual Culture•2016

  • Unmarked

    Peggy Phelan•Unmarked•2003

  • Liveness

    Philip Auslander•Liveness•2008

  • The Presentation of Self in Everyday Life

    Erving Goffman•The Presentation of Self in…•1990

  • Performance Studies

    Open Access•R Schechner•Performance studies•2017

  • Unmarked

    Peggy Phelan•Unmarked•1993

  • ‘Bodies that Matter’

    Judith Butler, Janet Price et al.•Feminist Theory and the Body•1999

  • Bodies that Matter

    Merl Storr, Society for Women in Philosophy UK•Women’s Philosophy Review•1994

  • Theatricality

    Milton C Albrecht, Edgar Burns et al.•Contemporary Sociology A Journal…•1976

  • L’esthétique du tableau dans le théâtre du XVIIIe siècle

    Pierre Frantz•L' esthétique du tableau dans le…•1998

  • Bodies That Matter

    Judith Butler•Bodies that matter•2011

  • Theatricality

    Open Access•Michael Rose•Sociology•1974

Citations per year0.2
Citation span2016 - 2016 (1)
Highly citedNo

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