Music in the Literature of Anthropology from the 1780s to the 1860s
Bibliographic Data
| ID | 19006620 |
|---|---|
| Authors | Bennett Zon (corresponding author) |
| Year | 2023 |
| Pages | 48-68 |
| Publication date | 2023-03-09 |
| Open Access | Yes |
| Type | OTHER |
| Publisher | Boydell and Brewer Limited (PUBLISHER) |
| DOI | 10.1017/9781580466943.005 |
| OpenAlex | W4323657489 |
| ISBN | 9781580466943 |
| Language | EN |
Among the earliest learned societies, both in Britain and abroad, there is evidence of an anthropological interest in music of non-Western cultures from the 1780s. William Jones, renowned scholar of Indian languages, literature, and philosophy, supreme court judge in Bengal from 1783 and founder of The Asiatic Society of Bengal in 1784, published Francis Fowke’s “On the Vina or Indian Lyre” in the first issue of the society’s Asiatick Researches in 1788. Not long afterward, he published his own work, “On the Musical Modes of the Hindoos” in the third issue of the same journal in 1792. Gerry Farrell, in his reading of Kejariwal’s important study of the society, suggests that Jones effectively saved Indian music from oblivion, and that part of this salvage process was enabled by the professionalization that his society had begun to undergo. As Richard Drayton writes, “by the 1780s British India began to sustain its own centres of intellectual life. William Jones founded the Asiatick Society of Bengal in 1784, to encourage enquiry into ‘the History, Civil, and Natural, the Antiquities, Arts, Sciences, and Literature of Asia.’ “
Archaeology · Art · Art history · BENGAL · Literature · Musical · Political science · Professionalization · Social science · Sociology · The arts · Anthropological Studies and Insights · Anthropology · History · Law
| Highly cited | No |
|---|