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Panchavadyam

Contexto y performance de un género musical presente en los templos de Kerala (India)

Bibliographic Data

ID19006750
AuthorsMaría Jesús González Legido (corresponding author)
Year2014
Publication date2014-01-01
Peer ReviewedYes
Open AccessNo
TypeTHESIS
PublisherUniversidad de Valladolid (PUBLISHER • ES)
DOI10.35376/10324/5717
OpenAlexW2336530716
LanguageEN
References cited14

INTRODUCCIÓNI

Art · Geography · Humanities · Musical · Visual arts · Anthropological Studies and Insights

  • Performance Practice

    Open Access•Kay Kaufman Shelemay, Gerard Behague•Notes•1985

  • Theory and Method in Ethnomusicology

    Open Access•Johannes Riedel•Journal of Research in Music…•1965

  • Classical Music of South India

    T Temple Tuttle, Kanthimathi Kumar et al.•Asian Music•1988

  • Indian Music as a Cultural System

    Daniel M Neuman•Asian Music•1985

  • Percussion Instruments and Their History

    James Blades•Music and Letters•1972

  • Culture, Conservation and Community Reconstruction

    Angela Impey•Yearbook for Traditional Music•2002

  • The Rationalization of Intensity in Indian Music

    Edward O Henry•Ethnomusicology•2002

  • Cultural Constructions of Improvisation in Tayampaka, a Genre of Temple Instrumental Music in Kerala, India

    Rolf Groesbeck•Ethnomusicology•1999

  • Musical sound and Contextual Input

    Regula Burckhardt Qureshi•Ethnomusicology•1987

  • Involving the Performers in Transcription and Analysis

    Richard Widde, Richard Widdess•Ethnomusicology•1994

  • Culture Bearer and Tradition Bearer

    Mellonee Burnim•Ethnomusicology•1985

  • Sound Structure as Social Structure

    Steven Feld•Ethnomusicology•1984

  • African Rhythm

    Robert Kauffman, Robert J Kauffman•Ethnomusicology•1980

  • Ethnomusicology and Folk Music

    Barbara B Smith, Frank J Gillis et al.•Ethnomusicology•1968

Citation velocityhistorical
Highly citedNo

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Open DOIOpen Access
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