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Emperor Ras Tafari in Piraeus

Seferis's Colonial Anxieties

Bibliographic Data

ID19007785
AuthorsAkis Gavriilidis (corresponding author)
Year2019
Volume37
Issue2
Pages237-269
Publication date2019-01-01
Peer ReviewedYes
Open AccessNo
TypeARTICLE
VenueJournal of modern Greek studies (JOURNAL)
Journal identifiersISSN: 0738-1727 • E-ISSN: 1086-3265
PublisherJohns Hopkins University Press (PUBLISHER • US)
DOI10.1353/mgs.2019.0017
OpenAlexW2979531837
LanguageEN
References cited3

Seferis's poem "Leofóros Syngroú II" has received little critical attention. Works outside the canon often prove a useful lens for an author's practice. This is also the case with this poem, which directly refers to a colonial and racial problematic. Seferis, both as an object of mainstream scholarship and as an icon of Greek pop culture during the last half of the 20th century, has been mainly seen as a champion of "Greekness" –construed as the solitary course of a unique nation through various vicissitudes. The author himself encouraged such a reading. In his work, however, we find evidence that Seferis was attentive to elements undermining this uniqueness, shifting attention to links, cleavages and hierarchizations within both Hellenism and humanity at large. This makes Greekness appear as a product of, and as an instrument for the production of, knowledge about and classification of individuals and ethnic groups, including self-knowledge and self-classification, as well as a technology for profiling and variously claiming and/or attributing rights to those groups. Our understanding of Seferis's Hellenism would be incomplete without its colonial and racial dimension

Aesthetics · Ancient history · Art · Colonialism · Emperor · Humanism · Humanity · Literature · Poetry · Political science · Scholarship · Sociology · Theology · Anthropological Studies and Insights · Caribbean history, culture, and politics · Gender Studies · History · Law · Philosophy · Postcolonial and Cultural Literary Studies

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Citation velocityhistorical
Highly citedNo

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