Rituals
Bibliographic Data
| ID | 19021869 |
|---|---|
| Authors | Nagarajan (0000-0003-4920-6600, corresponding author), Vijaya Nagarajan |
| Year | 2018 |
| Publication date | 2018-11-22 |
| Open Access | No |
| Type | BOOK |
| Venue | Drawing Down Desires (SOURCE_BOOK) |
| Publisher | Oxford University Press (PUBLISHER • GB) |
| DOI | 10.1093/oso/9780195170825.003.0003 |
| OpenAlex | W4243736644 |
| ISBN | 9780195170825 |
| Language | EN |
This chapter discusses the multiple meanings attributed to the kōlam, a women’s ritual art in Tamil Nadu, India. Marking the transition of the private world to the wider public sphere, the author suggests that the kōlam is a sign of the woman householder’s health and therefore the health of her household. It serves as a form of ritual play, a sacred space, and an invitation to the goddess. The kōlam helps to ward off the evil eye, is a way to communicate with the divine, and is central to festivals and celebrations such as Pongal. The chapter introduces the Hindu notion that householders should “feed a thousand souls every day.” The skills involved in making the kōlam are a part of the common knowledge and are passed down through generations, representing the heart of the gift economy. Kōlams are found not only in Tamil Nadu but also throughout the world
Art · Hinduism · Linguistics · Literature · Sign (mathematics) · Sociology · Space (punctuation) · Tamil · Anthropological Studies and Insights · Gender Studies · Mathematics · Philosophy · Religious studies · Southeast Asian Sociopolitical Studies · Vietnamese History and Culture Studies
| Highly cited | No |
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