Reassessing the Nahua Autos
A Propos of Jerry M. Williams's El teatro del México colonial: Época misionera
Bibliographic Data
| ID | 19134366 |
|---|---|
| Authors | Charlotte Stern (corresponding author) |
| Year | 2000 |
| Volume | 52 |
| Issue | 2 |
| Pages | 113-165 |
| Publication date | 2000-01-01 |
| Peer Reviewed | Yes |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Bulletin of the Comediantes (JOURNAL) |
| Journal identifiers | ISSN: 0007-5108 • E-ISSN: 1944-0928 |
| Publisher | Auburn University (PUBLISHER • US) |
| DOI | 10.1353/boc.2000.0012 |
| OpenAlex | W2014297201 |
| Language | EN |
| References cited | 22 |
In sixteenth-century Mexico, the Nahuas of the central highlands possessed two remarkable theaters. One was indigenous, rich in pre-Columbian characteristics. The other, introduced and encouraged mainly by the Franciscan friars, consisted largely of religious autos , pageants, processions, singing, and dancing. The theater blended indigenous and Hispanic features and became an important manifestation of Nahua Christianity. This paper summarizes Jerry M. Williams's overview of both theaters. It then explores the extent and diversity of the Nahuatl autos , as well as some of the problems that arise in the study of the extant playscripts and relevant historical documents. The bulk of the essay considers several Spanish contributions to the autos , with special attention to the feast of Corpus Christi and the Christmas and Epiphany celebrations. Apparently, the popularity of the autos was due in part to the long recognized effectiveness of visual imagery in religious instruction. Yet the autos also satisfied the Nahuas' spiritual yearning at a time when indigenous approaches to the sacred were no longer permitted. We still need to clarify, however, the extent of Hispanic influence on the autos before we can describe how the Nahuas accommodated these foreign materials to their own culture. The frequency and the scope of the Nahua autos suggest that the Franciscan friars were acquainted with a far richer theatrical tradition in early sixteenth-century Spain than the extant Iberian evidence shows
Archaeology · Art · Colonialism · Extant taxon · Humanities · Indigenous · Nahuatl · Early Modern Women Writers · History · Latin American history and culture · Psychedelics and Drug Studies
The Drama of the Medieval Church.
Music in Aztec and Inca Territory
The Darker Side of the Renaissance
Farsas y eglogas
"Fray inigo de Mendoza y sus "Coplas de Vita Christi
El teatro en Valladolid
El teatro religioso colonial en la America Hispana
The Medieval Theater in Castile
Valencian Misterios and Mexican Missionary Plays in the Early Sixteenth Century
Teatro castellano de la Edad Media
Obras dramaticas castellanas
El teatro de Nueva Espana en el siglo XVI
Fray Inigo de Mendoza and Medieval Dramatic Ritual
Los misterios del Corpus de Valencia
La formation de l'"auto" religieux en Espagne avant Calderon (1550-1635)
The Nahuas After the Conquest
The Spanish Corpus Christi Procession
Teatro de evangelizacion en Nueva Espana
Early Colonial Religious Drama in Mexico
Holy Wednesday
Ways to the sacred
| Citation velocity | historical |
|---|---|
| Highly cited | No |