Hibriditas Medium pada Film Opera Jawa Karya Garin Nugroho sebagai Sebuah Dekonstruksi
Bibliographic Data
| ID | 19137392 |
|---|---|
| Authors | Riksa Belasunda (Bandung Institute of Technology), Acep Iwan Saidi (0000-0003-3413-7139, Bandung Institute of Technology), Iman Sudjudi (Bandung Institute of Technology) |
| Year | 2014 |
| Volume | 6 |
| Issue | 2 |
| Pages | 108-129 |
| Publication date | 2014-05-01 |
| Open Access | No |
| Type | ARTICLE |
| Venue | ITB Journal of Visual Art and Design (JOURNAL) |
| Journal identifiers | ISSN: 1978-3078 |
| Publisher | The Institute for Research and Community Services (LPPM) ITB (PUBLISHER) |
| DOI | 10.5614/itbj.vad.2014.6.2.3 |
| OpenAlex | W2087938652 |
| Language | EN |
| Citations received | 2 |
In the midst of the ideas, concepts, messages, and aesthetics uniformity at national films, it is interesting to make Opera Jawa movie by Garin Nugroho the object of study. That is the reason why the study was conducted. The research was an effort to improve the audience's productive and active role in understanding and interpreting the subtitles by focusing on how to read the message and meaning through subtitles constructed by the diversity of the medium use. The study conducted with the postmodern aesthetic approach through semiotic method with descriptive interpretive technique dismantles the structure of the film code language through the analysis of narrative and dramatic structure-forming elements of the film. It deals with aspects such as non-verbal signs of visual elements and movement in the film shot. These elements are
Aesthetics · Art · Epistemology · Linguistics · Literature · Narrative · Opera · Postmodernism · Semiotics · Sociology · Anthropology · Communication Studies and Media · Computer Science · Cultural and Artistic Studies · Philosophy
| Citations per year | 0.33 |
|---|---|
| Citation span | 2020 - 2020 (1) |
| Highly cited | No |