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Gender and Virtue in Nansō Satomi hakkenden

Bibliographic Data

ID19150751
AuthorsG Stuart Walley (0000-0002-2006-7304, corresponding author), Glynne Walley
Year2012
Volume72
Issue2
Pages337-371
Publication date2012-12-01
Peer ReviewedYes
Open AccessNo
TypeARTICLE
VenueHarvard Journal of Asiatic Studies (JOURNAL)
Journal identifiersISSN: 0073-0548 • E-ISSN: 1944-6454
PublisherHarvard–Yenching Institute (PUBLISHER • US)
DOI10.1353/jas.2012.0020
OpenAlexW1483921703
LanguageDE
Citations received4
References cited4

Good and evil, Gynne Walley argues, are the one constant dialectic in Kyokutei Bakin’s early nineteenth-century popular novel Nansō Satomi hakkenden , but they are not the only binary the author constructs. Hakkenden ’s world, like its author’s own, is one that proposes a number of dichotomies with moral dimensions. Prominent among these is the gender distinction: male and female are presumed to be opposite and mutually exclusive categories existing in a morally determined hierarchy. Women are defined as being, by their very natures, less capable of moral rectitude than men. By exploring how Bakin treats the topic of gender in this landmark work of Tokugawa fiction, Walley shows how Hakkenden sets the moral dialectic against the gender binary, ultimately destabilizing the categories of male and female in order to strengthen those of good and evil

Dialectic · Dichotomy · Epistemology · Hierarchy · Political science · Sociology · Virtue · Gender Studies · Japanese History and Culture · Law · Philosophy · Psychology · Social Psychology

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Unique citing works4
Citations per year0,36
Citation span2015 - 2018 (4)
Citation velocityhistorical
Highly citedNo
Citation typesNeutral: 4

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