Female Trance in Han Tae-Sook's Production of Lady Macbeth
Bibliographic Data
| ID | 19157486 |
|---|---|
| Authors | Jung-Soon Shim (corresponding author) |
| Year | 2009 |
| Volume | 25 |
| Issue | 1 |
| Pages | 63-71 |
| Publication date | 2009-02-01 |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | New Theatre Quarterly (JOURNAL) |
| Journal identifiers | ISSN: 0266-464X • E-ISSN: 1474-0613 |
| Publisher | Cambridge University Press (PUBLISHER • US) |
| DOI | 10.1017/s0266464x09000062 |
| OpenAlex | W2135512696 |
| Language | EN |
| Citations received | 2 |
In this article, Jung-Soon Shim indicates how Han Tae-Sook transforms Lady Macbeth's subconscious into an interculturally emotional space in which the Christian concept of guilt and the Korean ethos of Han intersect. In this way, the director conducts an intercultural dialogue, negotiating the Western world view in Shakespeare's Macbeth together with the traditional Confucian-shamanistic world view to be found in Korea. Jung-Soon Shim is Professor of English at Soongsil University in Seoul, currently President of the Korean Theatre Studies Association (KTSA), and a founding member and President of the Korean Association of Women in Theatre (KAWT). Her numerous books include Twenty-First Century Korean Women Theatre Directors (2004)
Archaeology · Art · China · Ethos · Negotiation · Social science · Sociology · Subconscious · Trance · Anthropology · Asian Culture and Media Studies · Chinese history and philosophy · History · Medicine · Philippine History and Culture · Philosophy · Psychology
| Citations per year | 0.2 |
|---|---|
| Citation span | 2016 - 2022 (7) |
| Highly cited | No |