Trajectories and themes in world popular music
Globalisation, capitalism, identity
Bibliographic Data
| ID | 19174253 |
|---|---|
| Authors | Mike Alleyne (0000-0002-5436-7399, Middle Tennessee State University, corresponding author) |
| Year | 2018 |
| Volume | 27 |
| Issue | 3 |
| Pages | 362-366 |
| Publication date | 2018-09-02 |
| Open Access | No |
| Type | ARTICLE |
| Venue | British Journal of Ethnomusicology (JOURNAL) |
| Journal identifiers | ISSN: 0968-1221 • E-ISSN: 1741-1920 |
| Publisher | Taylor & Francis (PUBLISHER • GB) |
| DOI | 10.1080/17411912.2018.1543608 |
| OpenAlex | W2901461210 |
| Language | EN |
| Citations received | 1 |
| References cited | 3 |
The term ‘globalisation’ carries multiple discursive interpretations and embedded cultural subtexts within the context of popular music, and this study confronts numerous central issues adopting a
Aesthetics · Art · Capitalism · Globalization · Literature · Political economy · Political science · Politics · Popular music · Sociology · Asian Culture and Media Studies · History · Law · Music History and Culture
| Citations per year | 0.2 |
|---|---|
| Citation span | 2021 - 2021 (1) |
| Highly cited | No |