Aksiologi Tari Bedhaya Kraton Yogyakarta

Bibliographic Data

ID19175170
AuthorsSunaryadi Sunaryadi (Institut Seni Indonesia Surakarta, corresponding author)
Year2013
Volume3
Issue3
Publication date2013-12-22
Open AccessYes
TypeARTICLE
VenueJurnal Kawistara (JOURNAL)
Journal identifiersISSN: 2088-5415 • E-ISSN: 2355-5777
PublisherGadjah Mada University (PUBLISHER • ID)
DOI10.22146/kawistara.5221
OpenAlexW1623748779
LanguageEN
Citations received5

Bedhaya at Palace dance was originally a sacred dance that is laden with symbols of life because it’snot just a dance movement, but an action that is displayed and that becomes the life reference. Bedhayais presented as a mirror of Javanese culture axiological which includes ethical and aesthetic values . Itis a reflection of manunggaling kawula-Gusti in terms of its ethical dimension and it has the aestheticvalues of the motion, fashion, and makeup. Bedhaya dance philosophy is summaried in the doctrineof ngelmu sangkan paran covering three things: the first it’s related to the human consciousness thatcomes from God (urip iki saka sapa); the second, it is irelated to the duties and obligations of humanbeings in the world (urip iki arep apa); and the third, it is related to man’s return to his Lord (urip ikipungkasane piye). Therefore, in the moral ethics context, Javanese life purpose is how to be a good manto reach the manunggaling kawula with Gusti as it is believed that goodness and beauty (mind) are themanifestation of the Essence of the Most Holy. The journey of human life portrayed in lampah bedhayaof majeng beksa , beksa to mundur beksa is a role model to determine the choice between good and bad

Aesthetics · Art · Beauty · Consciousness · Contemplation · Dance · Epistemology · Literature · Sociology · Child Development and Education · Cultural and Artistic Studies · History · Philosophy · Semiotics and Cultural Interpretation

Tools

Open DOIOpen Access