Reading History Obliquely

This article examines the tabular presentations in Sima Qian’s Shi ji and Gu Donggao’s Chunqiu dashi biao through the lens of a siege in 630 bce . Recognized as exemplary historical tables of the Spring and Autumn Period, the two tables process historical narratives at both micro and macro levels in an unprecedented manner, aiming to provide a larger picture of general historical trends. By emphasizing a visual and spatial representation of history in its tabular design, the Shi ji table invites the reader to examine the text nonlinearly and to construct a dialectical relationship between it and related narrative chapters. On the other hand, Gu’s text-oriented tables, usually misunderstood as a mere continuation of those in the Shi ji , require a linear reading and cannot directly produce a visual representation of the general patterns of the Spring and Autumn Period. However, to compensate for the lack of a visual overview, Gu composed “impromptu poems” ( kouhao ), which orally sketch general historical trends, to help beginners memorize the history of the Spring and Autumn Period. This article aims to demonstrate the use of tabulation at the crucial beginning point of Chinese historiography and its reinvention in the late imperial period

Historiography · Narrative · Siege · Sketch · Chinese history and philosophy · Environmental and Cultural Studies in Latin America and Beyond · Psychiatry, Mental Health, Neuroscience