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Towards a diagnostic protocol for the study of modelling pastes in monumental terracruda sculpture

Bibliographic Data

ID19223194
AuthorsMònica López-Prat (0000-0002-7026-5720, Istituto di Scienze Marine del Consiglio Nazionale delle Ricerche, corresponding author), Domenico Miriello (0000-0003-4647-6947, University of Calabria), Stéphane Chaignepain (Centre National de la Recherche Scientifique), C Lancelotti (0000-0003-1099-7329, Universitat Pompeu Fabra), Lea Legan (0000-0001-6451-0104, Slovenian Museum of Natural History), Alessandra Pecci (0000-0001-9649-1112, Universitat de Vic - Universitat Central de Catalunya), Marina Reutova (0000-0001-8085-8274, Samarkand Institute of Veterinary Medicine), B Salvadori (0000-0001-8439-6214, Istituto di Scienze Marine del Consiglio Nazionale delle Ricerche), Caroline Tokarski (0000-0001-7296-3330, Centre National de la Recherche Scientifique), E Cantisani (0000-0002-4909-5624, Istituto di Scienze Marine del Consiglio Nazionale delle Ricerche)
Year2026
Volume79
Pages361-370
Publication date2026-05-01
Open AccessYes
TypeARTICLE
VenueJournal of Cultural Heritage (JOURNAL)
Journal identifiersISSN: 1296-2074 • E-ISSN: 1778-3674
PublisherElsevier BV (PUBLISHER)
DOI10.1016/j.culher.2026.04.011
OpenAlexW7160706959
LanguageEN
References cited15

This paper presents an emerging diagnostic protocol for the study of modelling pastes in monumental terracruda sculpture, a distinctive technological tradition of monumental sculpture in air-dried clay. The study combines some newly acquired analytical data from Uzbek case studies with previously published results, integrating them with textual and ethnographic evidence to establish a diagnostic framework for material characterization and conservation decision-making. The proposed approach builds on a circular process of comparison and feedback between different sources of knowledge (archaeometric analyses, historical textual evidence, and traditional practices) each informing and refining the others. This interdisciplinary synthesis allows the identification of functional and compositional variations within historical examples and provides the basis for interpreting regional and chronological patterns in the production of terracruda sculpture. By formalizing this integrative workflow, the paper aims to define a reproducible methodological framework for future studies and conservation strategies concerning monumental terracruda sculptures preserved in archaeological and historical contexts, as well as dispersed fragments held in museum collections worldwide

Ethnography · Identification (biology) · Process (computing) · Protocol (science) · Sculpture · Workflow · Building materials and conservation · Conservation · Cultural Heritage Materials Analysis · Recycling and utilization of industrial and municipal waste in materials production

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Highly citedNo
Open DOIOpen Access
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