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Productive Perception

Bibliographic Data

ID19331048
AuthorsV P Zinchenko (a All-Union Society of Psychologists, USSR, Tbilisi), В П Зинченко (Society of Toxicology, corresponding author)
Year1974
Volume13
Issue2
Pages66-88
Publication date1974-12-01
Peer ReviewedYes
Open AccessNo
TypeARTICLE
VenueSoviet Psychology (JOURNAL)
Journal identifiersISSN: 0038-5751
PublisherInforma UK Limited (PUBLISHER • GB)
DOI10.2753/rpo1061-0405130266
OpenAlexW4254584818
LanguageEN
Citations received4
References cited3

Many generations of psychologists have been concerned with the problem of how we see things as they are in reality. The science of vision has accumulated extensive material on this subject; and many more or less correct hypotheses have been proposed, formulated in the various conceptual terms of philosophy, art, psychology, physiology, biophysics, mathematics, and technology. Investigation into the working of the visual system has not developed equally in these fields. One instructive fact will not go unnoticed in the future history of the science of vision: in psychology, interest in image phenomena has fallen sharply, first because of behaviorism, then because of too broad an interpretation of the classic teachings on conditioned reflexes, and later because of cybernetic ideas. It has been maintained probably in a single area, psychiatry, in which investigative and medical material has not permitted image and hallucinatory phenomena to be ignored. In the early 1960s representatives of various psychological and physiological schools and disciplines returned anew to the long-for gotten topic of image phenomena. As Holt has aptly remarked (15), images are returning from exile. As generally happens in science, the rekindling of interest in a traditional topic occurred through the internal logic of studying the problems of perception in the light of the relatively new fields in science and technology. If we trace the development of only some of them — design theory, engineering psychology, and the theory of creative activity (as a separate subdivision of art, science, and the psychology of creativity) — it becomes clear that the return to image phenomena is due to the inability of behaviorism and associated physiological conditioning theories to explain complex forms of behavior and mental activity

Behaviorism · Cognitive science · Creativity · Cybernetics · Epistemology · Interpretation (philosophy) · Perception · Subject (documents) · TRACE (psycholinguistics) · Computer Science · Philosophy · Psychology · Social Psychology · Visual and Cognitive Learning Processes

  • Visual Memory and Models of Human Information-Processing

    B M Velichkovskii, Б М Величковский•Soviet Psychology•1978

  • Study of the Process of Sequential information processing

    V P Zinchenko, В П Зинченко et al.•Soviet Psychology•1974

  • Basic Principles of a Psychological Analysis in the Theory of Activity

    Alexander G Asmolov•Soviet Psychology•1986

  • Problems of Visual Culture in the Light of Modern Investigations of Visual Perception and Visual Thinking

    V P Zinchenko, В П Зинченко•Soviet Psychology•1974

  • The information available in brief visual presentations.

    George Sperling•The Psychological Monographs•1960

  • Scanning Successively Fixed Traces in Short-Term Memory

    G G Vuchetich, V P Zinchenko et al.•Soviet Psychology•1974

Unique citing works4
Citations per year0.08
Citation span1974 - 1986 (13)
Citation velocityhistorical
Highly citedNo
Citation typesNeutral: 4

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