John Lewyn of Durham

This paper examines the structural evidence for the claims made on the behalf of the 14th-century master mason, John Lewyn. It suggests that comparison of artistic detail, has limited usefulness when attempting to identify his work. Buildings which, on a superficial level, bear little resemblance to one another, can nevertheless be shown to have significant mutuality of concept when studied in depth. Thus, a close examination of John Lewyn's known works and contemporary buildings suggests that Lewyn was the dominant influence in the northern region during the later 14th century, and that he retained control of planning to a fine level, whilst allowing his deputies varying degrees of independence in the execution of detail

Art · Control (management) · Economics · Independence (probability theory) · Management · Visual arts · Work (physics) · Engineering · Historical and Religious Studies of Rome · History · Mechanical Engineering · Medieval Architecture and Archaeology · Medieval Literature and History

• De la fusión a la difusión en el arte de la Cordoba califal

  Open Access•Antonio Momplet Míguez•Anales de Historia del Arte•2013

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