The Self-Portraits of Taras Shevchenko An Attempt at a Typology
Bibliographic Data
| ID | 19347641 |
|---|---|
| Authors | Roman Koropeckyj (University of California, Los Angeles, corresponding author) |
| Year | 2014 |
| Volume | 85 |
| Issue | 3 |
| Pages | 457-474 |
| Publication date | 2014-01-01 |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Revue des études slaves (JOURNAL) |
| Journal identifiers | ISSN: 0080-2557 • E-ISSN: 2117-718X |
| Publisher | OpenEdition (PUBLISHER) |
| DOI | 10.4000/res.474 |
| OpenAlex | W2794741484 |
| Language | EN |
Autobiographical self-fashioning lies at the very heart of Taras Shevchenko’s work, both as writer and artist. Nowhere is this more evident than in the dozens of self-portraits Shevchenko created during the course of his entire life in a variety of media and in a variety of configurations. This article constitutes a preliminary attempt to classify this œuvre based on the system introduced by Omar Calabrese in his 2006 study Artists’ Self-portraits. In the process, it also suggests, when relevant, parallels to and connections with Shevchenko’s written work
Archaeology · Art · Art history · Parallels · Portrait · Typology · Variety (cybernetics) · Artificial Intelligence · Computer Science · Eastern European Communism and Reforms · Engineering · European Linguistics and Anthropology · History · Visual Culture and Art Theory
| Highly cited | No |
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