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Getting a Grip

Disability in American Industrial Design of the Late Twentieth Century

Bibliographic Data

ID19351900
AuthorsBess Williamson (0000-0002-7292-2413, corresponding author)
Year2012
Volume46
Issue4
Pages213-236
Publication date2012-12-01
Peer ReviewedYes
Open AccessNo
TypeARTICLE
VenueWinterthur Portfolio (JOURNAL)
Journal identifiersISSN: 0084-0416 • E-ISSN: 1545-6927
PublisherUniversity of Chicago Press (PUBLISHER • US)
DOI10.1086/669668
OpenAlexW1581809220
LanguageEN
Citations received12
References cited5

From the 1970s to the end of the twentieth century, a number of American designers pursued the approach known as “universal design,” or design that can be used by both disabled and nondisabled people. Universal design informed a number of mainstream products as designers integrated disability-related features into functionally and aesthetically distinct offerings for the mass market. These successful, fashionable consumer goods reflected the ideal that design for people with disabilities could bring about better design for all. In the public image of these products, however, disability was rarely a central focus, but instead remained secondary or hidden

Aesthetics · Architectural engineering · Art · Business · Focus (optics) · Ideal (ethics) · Mainstream · Political science · Public relations · Sociology · Universal design · Architecture, Design, and Social History · Crafts, Textile, and Design · Cultural Industries and Urban Development · Engineering · Law · Marketing · Mechanical Engineering

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Unique citing works12
Citations per year0,8
Citation span2011 - 2025 (15)
Citation velocityrecent
Highly citedNo
Citation typesNeutral: 10

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