Necro Citizenship
Death, Eroticism, and the Public Sphere in the Nineteenth-Century United States
Bibliographic Data
| ID | 19392154 |
|---|---|
| Authors | Jay Grossman |
| Year | 2002 |
| Volume | 67 |
| Issue | 4 |
| Pages | 147 |
| Publication date | 2002-01-01 |
| Open Access | No |
| Type | REVIEW |
| Review of | Necro Citizenship: Death, Eroticism, and the Public Sphere in the Nineteenth-Century United States, Donald E Pease, 2001 |
| Venue | South Atlantic Review (JOURNAL) |
| Journal identifiers | ISSN: 0277-335X • E-ISSN: 2325-7970 |
| Publisher | JSTOR (PUBLISHER) |
| DOI | 10.2307/3201673 |
| OpenAlex | W599685480 |
| Language | EN |
In Necro Citizenship Russ Castronovo argues that the meaning of citizenship in the United States during the nineteenth century was bound to—and even dependent on—death. Deploying an impressive range of literary and cultural texts, Castronovo interrogates an American public sphere that fetishized death as a crucial point of political identification. This morbid politics idealized disembodiment over embodiment, spiritual conditions over material ones, amnesia over history, and passivity over engagement. Moving from medical engravings, seances, and clairvoyant communication to Supreme Court decisions, popular literature, and physiological tracts, Necro Citizenship explores how rituals of inclusion and belonging have generated alienation and dispossession. Castronovo contends that citizenship does violence to bodies, especially those of blacks, women, and workers. “Necro ideology,” he argues, supplied citizens with the means to think about slavery, economic powerlessness, or social injustice as eternal questions, beyond the scope of politics or critique. By obsessing on sleepwalkers, drowned women, and other corpses, necro ideology fostered a collective demand for an abstract even antidemocratic sense of freedom. Examining issues involving the occult, white sexuality, ghosts, and suicide in conjunction with readings of Harriet Jacobs, Ralph Waldo Emerson, Frederick Douglass, Nathaniel Hawthorne, and Frances Harper, Necro Citizenship successfully demonstrates why Patrick Henry's “give me liberty or give me death” has resonated so strongly in the American imagination
Art · Citizenship · Eroticism · Literature · Political science · Politics · Public sphere · Sociology · Gender Studies · Gothic Literature and Media Analysis · History · Law
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The Cambridge History of the American Novel
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"The Shadow of Law"
"A Dowry of Suffering"
Learning from the Dead
Imperial Ghosting and National Tragedy
On Ethnographic Sincerity
Necrospeculation
Specters of Democracy
Democracy's Spectacle
Ontological Terror
Frank Norris, Market Panic, and the Mesmeric Sublime
I Am a Stranger with Thee”
Who's Afraid of Virginia's Nat Turner? Mesmerism, Stowe, and the Terror of Things
| Highly cited | No |
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