Prospective and Retrospective
Le Corbusier’s Twofold Voyage d’Orient
Bibliographic Data
| ID | 19415715 |
|---|---|
| Authors | Jacobé Huet (corresponding author) |
| Year | 2021 |
| Volume | 38 |
| Issue | 1 |
| Pages | 291-330 |
| Publication date | 2021-12-06 |
| Open Access | No |
| Type | ARTICLE |
| Venue | Muqarnas Online (JOURNAL) |
| Journal identifiers | ISSN: 0732-2992 • E-ISSN: 2211-8993 |
| Publisher | Walter de Gruyter GmbH (PUBLISHER • DE) |
| DOI | 10.1163/22118993-00381p10 |
| OpenAlex | W4200087759 |
| Language | EN |
| Citations received | 47 |
In 1911, a twenty-three-year-old Le Corbusier embarked on a six-month journey from Dresden to Istanbul, and back to his native Switzerland through Greece and Italy. Upon his return, the young architect unsuccessfully attempted to publish his travel notes as a book in 1912 and again in 1914. Only in 1965, forty days before his death, did Le Corbusier conduct the final revision of his 1914 typescript for publication. The next year, Le Voyage d’Orient was published posthumously. Previous scholarship on this book has overlooked the importance of Le Corbusier’s 1965 edits, consequently approaching the work as an authentic testament of the author’s youthful spirit. Based on a new and contextualized reading of the 1914 typescript hand-annotated by Le Corbusier in 1965, this article demonstrates how the late edits constitute a re-writing of a segment of Le Corbusier’s own history, especially in relation to his ideas of modernity, tradition, inspiration, and attachment to Mediterranean architecture
Aesthetics · Art · Art history · Library science · Literature · Modernity · Scholarship · TypeScript · Visual arts · Architecture and Art History Studies · Architecture and Cultural Influences · Classics · Historical and Architectural Studies · History · Law · Philosophy · Architecture
A Wonderful World
The Dome of the Rock in Light of the Development of Concentric Martyria in Jerusalem
On Mahmud B. Ishaq Al-Shihabi’s Manuscript of Yūsuf Va Zulaykhā of 964 (1557)
Bibliophile Aghas (Eunuchs) at Topkapi Saray
An Early Seljuq Silver Bottle From Siberia
The Limits of Artistic Exchange in Fourteenth–century Tabriz
The Paintings of the Pre-Islamic Ka‘ba
Chaghatai Architecture and the Tomb of Tughluq Temür at Almaliq
The Muqarnas Plate Found at Takht-I Sulayman
A Late Safavid Dish
The Painted Ceiling of the Nave of the Cappella Palatina in Palermo
Seeking the East in the West
The Medieval Trophy as an Art Historical Trope
European Arts and Crafts at the Mamluk Court
The Sight of Sound
A Brief Biography of Abu Zayd
The Illustrations for an Early Manuscript of Ibn Butlan’s Da'wat Al-Aṭibbā' in the L. A. Mayer Memorial in Jerusalem
John Frederick Lewis
Reconciliation or Estrangement? Colophon and Paintings in the Ti̇em Zafarnāma and Some Other Controversial Manuscripts
Filigree Bindings of the Mamluk Period
Textual Transmission and Pictorial Transformations
Ottoman Stone Acquisition in the Mid-Sixteenth Century
The Talar-I Tavila or Hall of Stables, a Forgotten Safavid Palace
The Mausoleum of Imam Al-Shafi‘i
Outpost of Empire
The Taj Mahal
The Concept of Space in Mamluk Architecture
The “Sky of Wine” of Abu Nuwas and Three Glazed Bowls From the Golden Horde, Crimea
A Self-Conscious Art? Seeing Micro-Architecture in Sultanate South Asia
The Byzantine Heritage in the Dār Al-Islām
“Our Anatolia”
Akbar’s Kathāsaritsāgara
A Second “Herat Bucket” and Its Congeners
“Mihrab and ‘Anaza” or “Sacrum and Spear”? A Reconsideration of an Early Marwanid Silver Drachm
Two Safavid Paintings
The Mughal Emperor as Solomon, Majnun, and Orpheus, or the Album as a Think Tank for Allegory
Practice Makes Perfect
A Recently Acquired Incense Burner in the Khalili Collection
The Sultan’s New Clothes
Signs of the Times
Lost in Translation
Person and Place
Sindbādnāma
A Methodology for Studying Muqarnas
The Inscription on the Astrolabe by ‘Abd Al-Karim in the British Museum
Ottoman Garden Pavilions and Tents
Ottoman Ceramics in European Contexts
| Citations per year | 1.88 |
|---|---|
| Citation span | 2001 - 2011 (11) |
| Highly cited | No |