Who Owns History
Bibliographic Data
| ID | 19420447 |
|---|---|
| Authors | Elizabeth Lecompte (corresponding author) |
| Year | 1981 |
| Volume | 6 |
| Issue | 1 |
| Pages | 50 |
| Publication date | 1981-01-01 |
| Open Access | No |
| Type | ARTICLE |
| Venue | Performing Arts Journal (JOURNAL) |
| Journal identifiers | ISSN: 0735-8393 • E-ISSN: 1086-3281 |
| Publisher | JSTOR (PUBLISHER) |
| DOI | 10.2307/3245224 |
| OpenAlex | W2787259104 |
| Language | EN |
| Citations received | 8 |
The most radical development in theatre was the combining of the playwright, director and designer in one person. The result was a wedding of text, theatre space and movements of the performers where nothing modified anything else. Each part was but equal in the transmission of the meaning of the piece. Unlike the traditional theatre relationship where the blocking direction and design all serve to modify or enhance the meaning of the words, in this arrangement the words stand more vis-a-vis the actions and the space. Each part informs the other part in a continuous circuit
Presenting Rock Art and Perceiving Identity in South Africa and Beyond
Speaking to the heart of oral contextualization
Academia, Archaeology, CRM, and Tribal Historic Preservation
White man's country
The co-production of temporary museum exhibitions
Why Sanctions Seldom Work
Meditação em torno dos usos da narrativa na antropologia contemporânea
A marshall in love. Remembering and forgetting queer pasts in the Finnish archives
| Citations per year | 0.35 |
|---|---|
| Citation span | 2003 - 2015 (13) |
| Highly cited | No |