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“On s’occupe du multiple, on tourne le dos à l’unité”

Ying Chen and Nomadic Figurations of the Subject

Bibliographic Data

ID19424097
AuthorsJULIE RODGERS (National University of Ireland, Maynooth, corresponding author)
Year2015
Volume59
Pages51-70
Publication date2015-06-01
Peer ReviewedYes
Open AccessNo
TypeARTICLE
VenueQuebec Studies (JOURNAL)
Journal identifiersISSN: 0737-3759 • E-ISSN: 2052-1731
PublisherLiverpool University Press (PUBLISHER • GB)
DOI10.3828/qs.2015.5
OpenAlexW1933008942
LanguageFR
Citations received3
References cited1

This article employs Rosi Braidotti’s nomadic theory to offer a new theoretical reading of Ying Chen’s fiction. The article demonstrates how nomadic theory provides us with the tools to understand Chen’s complex vision of subjectivity as one that defies unity, fixity, and coherence of any sort. Instead, Chen presents us with a figuration of the self that reflects the velocity and constant fluctuations of the twenty-first-century postmodern, or, indeed, posthuman society that we inhabit. Just like Braidotti’s nomadic vision of existence, Chen’s fiction explodes boundaries and challenges traditional views of the self

Art · Art history · Chen · Epistemology · Humanities · Postmodernism · Subjectivity · Chinese history and philosophy · Computer Science · Foucault, Power, and Ethics · Geographies of human-animal interactions · Philosophy

  • Mothering across Languages and Cultures in Ying Chen's Letters to Her Children

    Eglė Kač kutė•Women a Cultural Review•2018

  • The Emergent Posthuman Landscape in Ying Chen’s La rive est loin

    JULIE RODGERS•Quebec Studies•2019

  • Elsewhere Home

    Ashwiny O Kistnareddy•Quebec Studies•2021

Unique citing works3
Citations per year0.38
Citation span2018 - 2021 (4)
Citation velocityhistorical
Highly citedNo
Citation typesNeutral: 3

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