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Translating Le comte de Monte-Cristo in the Ottoman Empire

Adaptation strategies and local audience

Bibliographic Data

ID19426847
AuthorsRosita D’Amora (0000-0002-1527-4990, University of Salento, corresponding author), Rosita D'Amora
Year2023
Volume22
Issue2
Publication date2023-01-25
Open AccessYes
TypeARTICLE
VenueJournal of Arabic and Islamic Studies (JOURNAL)
Journal identifiersISSN: 0806-198X • E-ISSN: 0806-198X
PublisherUniversity of Oslo Library (PUBLISHER • NO)
DOI10.5617/jais.10113
OpenAlexW4318427131
LanguageEN

(article forthcoming) In this paper I will examine the stylistic and semantic strategies employed in the Ottoman translation of Alexander Dumas (père)’s novel Le comte de Monte-Cristo in order to adapt the original French version for a local Ottoman audience. In particular I will investigate the linguistic and cultural background of Theodor Kasap (Theodor Kasapis), the rum origin translator of Dumas’ novel, who was a very influential personality in the Istanbul cultural scene during the second half of the 19th century and founder of the Ottoman satirical journal Diyojen on which the Le comte de Monte-Cristo started appearing serialized

Art · Literature · Ottoman empire · Personality · Political science · Psychoanalysis · Classics · History · Law · Lexicography and Language Studies · Psychology · Translation Studies and Practices

Highly citedNo

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