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Living and Knowing an Imaginary World

A Discussion of Articles by Wallace, Davis, and Franklin

Bibliographic Data

ID19429197
AuthorsCharlotte L Doyle (0000-0003-3351-1694, corresponding author)
Year1988
Volume3
Issue1
Pages175-182
Publication date1988-03-01
Open AccessNo
TypeARTICLE
VenueMetaphor and Symbolic Activity (JOURNAL)
Journal identifiersISSN: 0885-7253 • E-ISSN: 2379-0288
PublisherInforma UK Limited (PUBLISHER • GB)
DOI10.1207/s15327868ms0303_5
OpenAlexW1988193587
LanguageEN
References cited4

The lived/known distinction illuminates various aspects of the three previous articles. Doris Wallace's work reveals that reflections by the novelist Dorothy Richardson resulted in a gender-specific theory of experience, a theory shaping both the form of her novel and the thinking of her major character. Richardson also displayed the roots of an adult's metaphor--roots in lived childhood experience and adolescent reflection. Sara Davis made visible the process by which a reader reflected on the lived experience of a story, constructing meaning through conscious designation of symbols. Margery Franklin's article on the changing role of titling in Melissa Zink's sculpture showed how reflections on past creations allowed the artist to take control of a previously unnoticed aspect of the medium. The discussion of titling as cross-modal "metaphorizing" suggested that the lived experience created by a work's elements is not restricted to the sense modality of the elements. Davis and Franklin pointed out that audiences may experience the same work differently, a phenomenon often explained through a construction process. This commentary proposes a view more in line with direct perception theory: Audiences enter an already constructed imaginary world, may miss parts of it, may become more attuned to previously unnoticed aspects after reflection. As an artwork is lived, audiences are transported to an imaginary world, in which they have no personal responsibility--one reason why people seek art for refreshment and renewal

Aesthetics · Art · Epistemology · Linguistics · Metaphor · Perception · Phenomenon · Psychoanalysis · Sociology · The Imaginary · Aesthetic Perception and Analysis · Art Education and Development · Language, Metaphor, and Cognition · Philosophy · Psychology

  • The Act of Reading

    Wolfgang Iser•The act of reading•1980

  • An Experimental Study of Apparent Behavior

    Fritz Heider, Marianne L Simmel et al.•The American Journal of Psychology•1944

  • Blind People Depicting States and Events in Metaphoric Line Drawings

    John M Kennedy, Ramona Domander•Metaphor and Symbolic Activity•1986

Highly citedNo

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