A phenomenological reflection on Kurosawa's Ikiru in light of the early Heidegger's concept of “distance”
Bibliographic Data
| ID | 19429606 |
|---|---|
| Authors | Tyrel Garrett (University of Dallas, corresponding author) |
| Year | 2015 |
| Volume | 43 |
| Issue | 3 |
| Pages | 310-316 |
| Publication date | 2015-07-01 |
| Open Access | No |
| Type | ARTICLE |
| Venue | The Humanistic Psychologist (JOURNAL) |
| Journal identifiers | ISSN: 0887-3267 • E-ISSN: 1547-3333 |
| Publisher | American Psychological Association (APA) (PUBLISHER) |
| DOI | 10.1080/08873267.2015.1062013 |
| OpenAlex | W1521310886 |
| Language | EN |
| References cited | 2 |
This article focuses on one of Heidegger's early lecture courses, Phenomenological Interpretations of Aristotle: Initiation into Phenomenological Research, in order to explore his early development of fallenness. Within this lecture it is termed ruinance and at the heart of its development is what Heidegger refers to as distance. The first half of this article is dedicated to examining the concept of distance and to following Heidegger's movement of life towards ruinance through his understanding of distance. Heidegger understands distance as the relationship between life and its possibilities and it is the variances within this relationship that cause for a natural movement towards ruinance and also allow for a return from it. The second half of this article is a phenomenological reflection upon Kurosawa's film Ikiru in light of Heidegger's observation of this movement of life. Ikiru provides a concrete example of a life that has fallen completely and unwittingly into ruinance. Heidegger's understanding
Epistemology · Computer Science · Critical Theory and Philosophy · Phenomenology and Existential Philosophy · Philosophy · Philosophy, Ethics, and Existentialism
| Highly cited | No |
|---|