The Present Position of Authenticity
Bibliographic Data
| ID | 19463374 |
|---|---|
| Authors | Robert Donington (Claremont Colleges, corresponding author) |
| Year | 1989 |
| Volume | 2 |
| Issue | 2 |
| Pages | 117-125 |
| Publication date | 1989-01-01 |
| Open Access | No |
| Type | ARTICLE |
| Venue | Performance Practice Review (JOURNAL) |
| Journal identifiers | ISSN: 1044-1638 • E-ISSN: 2166-8205 |
| Publisher | Claremont Colleges Library (PUBLISHER • US) |
| DOI | 10.5642/perfpr.198902.02.2 |
| OpenAlex | W2061763973 |
| Language | EN |
| Citations received | 1 |
"Though there continues to be lively debate as to how historically correct performances of early music can or should be, the success of so-called authenticity in today's musical culture is undeniable.(Zohn, Steven)"
Aesthetics · Art · Art history · Business · Musical · Visual arts · Diverse Music Education Insights · Musicology and Musical Analysis · Theater, Performance, and Music History
| Citations per year | 0.03 |
|---|---|
| Citation span | 1997 - 1997 (1) |
| Highly cited | No |