Stravinsky, Tempo, and Le Sacre
Bibliographic Data
| ID | 19463516 |
|---|---|
| Authors | Erica Heisler Buxbaum (Claremont Colleges, corresponding author) |
| Year | 1988 |
| Volume | 1 |
| Issue | 1 |
| Pages | 61-70 |
| Publication date | 1988-01-01 |
| Open Access | No |
| Type | ARTICLE |
| Venue | Performance Practice Review (JOURNAL) |
| Journal identifiers | ISSN: 1044-1638 • E-ISSN: 2166-8205 |
| Publisher | Claremont Colleges Library (PUBLISHER • US) |
| DOI | 10.5642/perfpr.198801.01.6 |
| OpenAlex | W2061431844 |
| Language | EN |
| Citations received | 1 |
In reviews of recorded performances by others of Le sacre du printemps, Stravinsky contradicted his metronome markings and his own recorded performance tempos. His preferred tempos in the reviews encompass a range wider than the markings imply, yet more narrow than his own performance tempos suggest
Aesthetics · Art · Art history · Humanities · Metronome · Rhythm · Visual arts · Music Technology and Sound Studies · Musicology and Musical Analysis · Neuroscience and Music Perception
| Citations per year | 0.25 |
|---|---|
| Citation span | 2022 - 2022 (1) |
| Highly cited | No |