'Back to the Land'
Performance Practice and the Classic Period
Bibliographic Data
| ID | 19463523 |
|---|---|
| Authors | Malcom S Cole (corresponding author) |
| Year | 1988 |
| Volume | 1 |
| Issue | 1 |
| Pages | 25-41 |
| Publication date | 1988-01-01 |
| Peer Reviewed | Yes |
| Open Access | No |
| Type | ARTICLE |
| Venue | Performance Practice Review (JOURNAL) |
| Journal identifiers | ISSN: 1044-1638 • E-ISSN: 2166-8205 |
| Publisher | Claremont Colleges Library (PUBLISHER • US) |
| DOI | 10.5642/perfpr.198801.01.4 |
| OpenAlex | W2016890267 |
| Language | EN |
| Citations received | 1 |
| References cited | 2 |
Interest in performance practice (performing practice, historical performance) is a 20th-century phenomenon. Digging through the accretions of centuries, performer-scholars in ever-growing numbers are striving to recover "authentic" styles, to go "back to the land," in Adam Carse's delightful phrase. For the Classic period specifically, no longer does the misconception prevail that performance problems declined dramatically (or vanished) as notation and instruments became more like today's. To the contrary, numerous issues invite attention
Aesthetics · Art · Performance Practice · Visual arts · Musicology and Musical Analysis
| Unique citing works | 1 |
|---|---|
| Citations per year | 0,03 |
| Citation span | 1997 - 1997 (1) |
| Citation velocity | historical |
| Highly cited | No |