The Role of Categorisation in Photo-Elicitation Interviewing
Epistemic Reflexivity in Research With Vulnerable Groups
Bibliographic Data
| ID | 19479215 |
|---|---|
| Authors | G Seddighi (0000-0003-1601-9286, NORCE Research AS, corresponding author), Rebecca L Radlick (NORCE Research AS), Benedicte Nessa (0000-0002-3502-7129, NORCE Research AS), Emilie Tønnessen (NORCE Research AS) |
| Year | 2026 |
| Volume | 25 |
| Publication date | 2026-01-19 |
| Peer Reviewed | Yes |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | International Journal of Qualitative Methods (JOURNAL) |
| Journal identifiers | ISSN: 1609-4069 • E-ISSN: 1609-4069 |
| Publisher | SAGE Publications (PUBLISHER • US) |
| DOI | 10.1177/16094069261426155 |
| OpenAlex | W7155105475 |
| Language | EN |
| References cited | 43 |
Photo-elicitation interviews (PEIs) offer valuable opportunities to access the perspectives of underrepresented groups by using images to trigger reflection on personal experiences and to mitigate power imbalances between researchers and participants. The method was applied in research on the digital practices of migrant young adults who are outside education and employment and considered at risk of social exclusion, while also constituting a highly heterogeneous group. This diversity posed a methodological challenge regarding how to select images that could meaningfully resonate across participants’ varied life experiences. To address this challenge, photographs were organised into thematic categories, with multiple images included in each category. Treating the categorised presentation of photographs as an “unknown” factor, and drawing on Bourdieu’s epistemic reflexivity, this paper illuminates how this mode of presentation can render participants’ doxic assumptions visible. We present four narratives that illustrate distinct ways in which participants engaged with individual photographs and with the categorisation of those photographs. While existing literature has primarily focused on who produces images, how they are produced, and which images are selected, this study demonstrates that how images are presented also plays a critical role in shaping participants’ reflections on social and digital practices. This insight is particularly significant for research with hard-to-reach participants in vulnerable situations and heterogeneous life experiences
Critical reflection · Diversity (politics) · Narrative · Power (physics) · Presentation (obstetrics) · Qualitative research · Reflection (computer programming) · Reflexivity · Thematic analysis · Focus Groups and Qualitative Methods · Participatory Visual Research Methods · Qualitative Research Methods and Ethics
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Some Theoretical and Methodological Views on Photo-Elicitation
The four phases of the digital natives debate
Specifying the Ethics of Teleogenetic Collaboration for Research with Children and Other Vital Forces
A socio-digital ecology approach to understanding digital inequalities among young people
Maximizing Opportunities and Minimizing Risks for Children Online
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Fedmefortellinger
Talking about pictures
A Review of Using Photo-Elicitation Interviews in Qualitative Education Research
Welfare Service Providers’ Narratives of Digital Literacies Among Vulnerable Youths in Norway
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Reflexivity, Relationism, & Research
The Temporality of Being Neet
Counting and Meeting Neet Young People
Toward a Multifaceted Model of Internet Access for Understanding Digital Divides
Vår utålmodighet med ungdom
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Framing the Social World With Photo-Elicitation Interviews
The 5 cm rule
Photography in Anthropology
A Semi-Structured Approach to Photo Elicitation Methodology for Research Participants With Intellectual Disability
Incorporating Perspective Taking in Reflexivity
Photo Elicitation Interview (PEI)
Picture this
Beyond the standard interview
Youth transitions, unemployment and underemployment
The Narrative Construction of Reality
Photo-Elicitation Interviews with Vulnerable Populations
| Citation velocity | historical |
|---|---|
| Highly cited | No |