Digital art and the aesthetics of complexity
Analysis of three art projects from the Artware Biennial
Bibliographic Data
| ID | 19479869 |
|---|---|
| Authors | Jaime Enrique Bailón (Universidad de Lima, corresponding author) |
| Year | 2026 |
| Pages | 1-9 |
| Publication date | 2026-06-03 |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Artnodes (JOURNAL) |
| Journal identifiers | ISSN: 1695-5951 • E-ISSN: 1695-5951 |
| Publisher | Fundacio per la Universitat Oberta de Catalunya (PUBLISHER) |
| DOI | 10.7238/artnodes.v0i39.433081 |
| OpenAlex | W7163355226 |
| Language | EN |
| References cited | 1 |
Beyond being an effective means of communication, art is above all an expression of resistance. This characteristic of art constitutes today a fundamental element for rethinking and critically examining digital technology and the advances of artificial intelligence (AI). This research adopts an interdisciplinary approach drawing from aesthetics, complexity studies and computer science to investigate the primary processes of technological colonization in the fields of communication and art. Furthermore, it analyses alternative artistic and communicative proposals within these domains. As a case study, it explores the foundational artistic projects by Artware and the International Digital Art Biennial, held in Lima
Art methodology · Contemporary art · Digital art · Art, Technology, and Culture · Cybernetics and Technology in Society · Digital Media and Philosophy
| Highly cited | No |
|---|