Unveiling the Unseen
Queer Representation in Indian Cinema and the Road Yet to Be Explored
Bibliographic Data
| ID | 19490682 |
|---|---|
| Authors | Sheen Thankalayam (0000-0001-5227-2081, Christ University), Subin Thomas (0000-0003-4228-8594, Alliance University), Bensha C Shaji (SRM University), Jincy S S (Government Medical College), Jincy S S Jincy S S, Neenu Anna Ninan (0009-0005-2236-4512, REVA University) |
| Year | 2026 |
| Volume | 7 |
| Issue | 2s |
| Publication date | 2026-03-27 |
| Peer Reviewed | Yes |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | ShodhKosh: Journal of Visual and Performing Arts (JOURNAL) |
| Journal identifiers | ISSN: 2582-7472 • E-ISSN: 2582-7472 |
| Publisher | Granthaalayah Publications and Printers (PUBLISHER • IN) |
| DOI | 10.29121/shodhkosh.v7.i2s.2026.7184 |
| OpenAlex | W7141238604 |
| Language | EN |
| Citations received | 2 |
| References cited | 45 |
There exists a disproportion in the Indian film industry in the delegation and the representation of queer community. The inclusion of queer subjects often fluctuates between invisibility, stereotypes, authentic portrayal and its acceptance. Investigations and explorations of the LGBTQ+ narratives in a refined and nuanced way became more visible in the Indiasn cinemas after the amendment of Section 377 in 2018. This study aims to observe and understand the horizons and boundaries of queer representation in the Indian film industry by examining the historical and contemporary global trends, significant movies, and related scholarly productions and literary narratives. A huge gap is prevailing between the global queer film sector and the Indian queer film sector in the detailing of queer subjects on the backdrop of social, political, economic and familial resistance. This review article evidences that the developments in both mainstream and regional industries still do not gain freedom from the restrictions of class, caste, gender binaries, and censorship. This apparently calls for the need for an intersectional and authentic detailing of queer narratives. The difference in the reception of queer subjects on various geographical and generational bases is yet another topic for discussion. The article stands for politically correct, culturally rooted, socially balanced queer portrayals in the Indian film industry
Mainstream · Movie theater · Narrative · Queer · Cinema and Media Studies · LGBTQ Health, Identity, and Policy · South Asian Cinema and Culture
Unveiling narratives
Screening trans narratives
Queering the Norms
Selected Bollywood Films as Sites of LGBTQ Contestation, Assertion and Cultural Disruption
Casting for Change
Same-Sex Love in India
Globalizing queer? Aids, homophobia and the politics of sexual identity in India
Between visibility and elsewhere
Navigating the Forbidden
Construction and contestation of identity and politics
The ‘Good Indian Queer Woman’ and the Family
Exclusion in #MeToo India
Just like everyone else
Shifting spaces, frozen frames
Relighting the Fire
The Nachya in Natrang
Queer creative Indian city
Manusmriti , Macaulay's 1860 Penal Code, Neoliberal India, and Queer Cinematic Subjectivities
Queering the Indian Novel
Mapping the Margins
Sexuality, Caste, Governmentality
Jack and Johnny went up the hill
| Unique citing works | 2 |
|---|---|
| Citations per year | 2 |
| Citation span | 2026 - 2026 (1) |
| Citation velocity | current |
| Highly cited | No |
| Citation types | Neutral: 1 |