Skip to main content

ETHNOS_APP

Home • Search • Journals • List 0

Unveiling the Unseen

Queer Representation in Indian Cinema and the Road Yet to Be Explored

Bibliographic Data

ID19490682
AuthorsSheen Thankalayam (0000-0001-5227-2081, Christ University), Subin Thomas (0000-0003-4228-8594, Alliance University), Bensha C Shaji (SRM University), Jincy S S (Government Medical College), Jincy S S Jincy S S, Neenu Anna Ninan (0009-0005-2236-4512, REVA University)
Year2026
Volume7
Issue2s
Publication date2026-03-27
Peer ReviewedYes
Open AccessYes
TypeARTICLE
VenueShodhKosh: Journal of Visual and Performing Arts (JOURNAL)
Journal identifiersISSN: 2582-7472 • E-ISSN: 2582-7472
PublisherGranthaalayah Publications and Printers (PUBLISHER • IN)
DOI10.29121/shodhkosh.v7.i2s.2026.7184
OpenAlexW7141238604
LanguageEN
Citations received2
References cited45

There exists a disproportion in the Indian film industry in the delegation and the representation of queer community. The inclusion of queer subjects often fluctuates between invisibility, stereotypes, authentic portrayal and its acceptance. Investigations and explorations of the LGBTQ+ narratives in a refined and nuanced way became more visible in the Indiasn cinemas after the amendment of Section 377 in 2018. This study aims to observe and understand the horizons and boundaries of queer representation in the Indian film industry by examining the historical and contemporary global trends, significant movies, and related scholarly productions and literary narratives. A huge gap is prevailing between the global queer film sector and the Indian queer film sector in the detailing of queer subjects on the backdrop of social, political, economic and familial resistance. This review article evidences that the developments in both mainstream and regional industries still do not gain freedom from the restrictions of class, caste, gender binaries, and censorship. This apparently calls for the need for an intersectional and authentic detailing of queer narratives. The difference in the reception of queer subjects on various geographical and generational bases is yet another topic for discussion. The article stands for politically correct, culturally rooted, socially balanced queer portrayals in the Indian film industry

Mainstream · Movie theater · Narrative · Queer · Cinema and Media Studies · LGBTQ Health, Identity, and Policy · South Asian Cinema and Culture

  • Sacred waste

    Open Access•Harsha Vasudevan, Akaitab Mukherjee•Frontiers in Sociology•2026

  • Cinematic Witnessing as Queer-Affirmative Expressive Arts Practice

    David, Anupama Sadasivan•Journal of Homosexuality•2026

  • Unveiling narratives

    Open Access•Prasitha V, V Prasitha et al.•Humanities and Social Sciences…•2024

  • Screening trans narratives

    Open Access•Neethu S Nair, Deepa Mary Francis•Humanities and Social Sciences…•2024

  • Queering the Norms

    Open Access•Meenakshi Dey, Jyoti Doley•Integrated Journal for Research…•2024

  • Selected Bollywood Films as Sites of LGBTQ Contestation, Assertion and Cultural Disruption

    Open Access•Y Sumati•IAFOR Journal of Media…•2020

  • Casting for Change

    Open Access•Joke Hermes, Linda Kopitz•Media and Communication•2021

  • Same-Sex Love in India

    Open Access•Ruth Vanita, Saleem Kidwai•Same-Sex Love in India•2000

  • Globalizing queer? Aids, homophobia and the politics of sexual identity in India

    Open Access•Subir K Kole•Globalization and Health•2007

  • Between visibility and elsewhere

    Open Access•R K Dasgupta, Churnjeet Mahn•South Asian Diaspora•2023

  • Navigating the Forbidden

    Open Access•Rauha Salam-Salmaoui, Shazrah Salam•Journal of Bisexuality•2024

  • Construction and contestation of identity and politics

    Anu Kuriakose•South Asian Popular Culture•2020

  • The ‘Good Indian Queer Woman’ and the Family

    Sohini Chatterjee•South Asian Popular Culture•2021

  • Exclusion in #MeToo India

    Narayanamoorthy Nanditha, Nanditha Narayanamoorthy•Feminist Media Studies•2021

  • Just like everyone else

    Anupama Arora, Nikki P Sylvia•Feminist Media Studies•2023

  • Shifting spaces, frozen frames

    Navaneetha Mokkil•Inter-Asia Cultural Studies•2009

  • Relighting the Fire

    Churnjeet Mahn, Dominic Watts et al.•Journal of Lesbian Studies•2014

  • The Nachya in Natrang

    Shalmalee Palekar•Continuum•2012

  • Queer creative Indian city

    Open Access•R K Dasgupta, Kaustav Bakshi•Cultural Trends•2023

  • Manusmriti , Macaulay's 1860 Penal Code, Neoliberal India, and Queer Cinematic Subjectivities

    Basuli Deb•South Asian Review•2014

  • Queering the Indian Novel

    Ulka Anjaria•Wasafiri•2019

  • Mapping the Margins

    Kimberlé Crenshaw, Kimberlé W Crenshaw•Stanford Law Review•1991

  • Sexuality, Caste, Governmentality

    Open Access•Nivedita Menon•Feminist Review•2009

  • Jack and Johnny went up the hill

    Namrata Verghese•Journal of Postcolonial Writing•2024

Unique citing works2
Citations per year2
Citation span2026 - 2026 (1)
Citation velocitycurrent
Highly citedNo
Citation typesNeutral: 1

Tools

Open DOIOpen Access
Ethnos_APP • Open Source Project • MIT License • Frontend v2.0.0 • Privacy and Cookies • API Documentation: api.ethnos.app/docs • API Source Code: GitHub • DOI: 10.5281/zenodo.17049435 • Frontend Source Code: GitHub • DOI: 10.5281/zenodo.17050053 • cruz.rio.br • Expectantes Misericordiae