Virtual museums and built environment

Narratives and immersive experience via multi-temporal geodata hub

Bibliographic Data

ID19546809
AuthorsRaffaella Brumana (0000-0002-3359-981X, Politecnico di Milano), Daniela Oreni (0000-0001-9635-9357, Politecnico di Milano), Sara Caspani (Politecnico di Milano), M Previtali (0000-0003-4588-9045, Politecnico di Milano)
Year2018
Volume9
Issue19
Pages34
Publication date2018-07-20
Open AccessYes
TypeARTICLE
VenueVirtual Archaeology Review (JOURNAL)
Journal identifiersISSN: 1989-9947 • E-ISSN: 1989-9947
PublisherUniversitat Politecnica de Valencia (PUBLISHER)
DOI10.4995/var.2018.9918
OpenAlexW2883966736
LanguageEN
Citations received8
References cited16

Our built environment is nowadays considered as a dynamic complex, stretching and transforming across space and time, with the interaction of human, social and economic dimensions. It needs to be safeguarded as living places for the future taking into account such complexity. The general aim of this work is to contribute to the comprehension of landscape values, enhancing participation processes by tourists and local communities, considering the built environment as a system: the sum of natural transformation, ancient artefacts stratification and human activities, partially covering the tangible traces, and functioning as a vehicle for the comprehension of intangible values. Multi-temporal, multi-scale and geospatial datasets can play an important role in such knowledge transfer processes by means of narratives and immersive experiences in a multimedia museum approach. In particular, the cartographic heritage, in the form of metric and non-metric maps, can be progressively used as a source of information for innovative narratives. Virtual Museums (VMs)are additional "channels" to disseminate content and to provide knowledge about cultural heritage; they have emerged from the crossbreeding process between museums and digital technologies. Investigating how digital storytelling may support communication and understanding of complex systems, such as the built environment and landscape, it is relevant because cultural awareness may foster the sense of belonging and identity construction of which Europe is thirsty, contributing to the safeguarding of fragile sites. The paper provides useful information for museums that would like to follow this pathway. It retraces the main steps of storytelling production and presents interesting examples of immersive narrative models based on geospatial data and a virtual hub, helping people to retrieve and access information and to recognize places of memory mostly unknown. Moreover, it offers an evaluation of existing tools that can be adopted for this purpose. Eventually, by virtue of the research carried out for the case study of the Virtual Museum of Como Lake Landscape, the paper aims at ascertaining which kind of stories and experiences can be designed, the potential of these tools and possible weaknesses or constraints that deserve future researches. Highlights: Investigation of a narrative approach to develop a theoretical model of virtual museums that can support communication and understanding of built environment and landscape. Integration of multi-temporal, multi-scale cartography and geospatial datasets, as a narrative base and information to facilitate the landscape values comprehension by non-expert users. Use of low-cost techniques (panoramic photos, 360° videos, 3D models) to design immersive experiences that can increase the interest of people in discovering the built environment

Art · Cartography · Cultural heritage · Geography · Geospatial analysis · Narrative · Storytelling · 3D Surveying and Cultural Heritage · Computer Science · Cultural Heritage Management and Preservation · Museums and Cultural Heritage

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