Robert Ervin Howard’s Vision of the Supernatural in Beyond the Black River
Bibliographic Data
| ID | 19556259 |
|---|---|
| Authors | PIOTR GULANOWSKI (Philological School of Higher Education, corresponding author) |
| Year | 2020 |
| Volume | 4 |
| Issue | 2 |
| Pages | 340-349 |
| Publication date | 2020-01-10 |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Journal of Education Culture and Society (JOURNAL) |
| Journal identifiers | ISSN: 2081-1640 • E-ISSN: 2081-1640 |
| Publisher | Foundation Pro Scientia Publica (PUBLISHER • PL) |
| DOI | 10.15503/jecs20132.340.349 |
| OpenAlex | W1009208001 |
| Language | EN |
The plot and the presented world of Robert Ervin Howard’s Beyond the Black River are representative of sword and sorcery, a subgenre of fantasy fiction that Howard is claimed to have pioneered. It has been proposed that the worlds in fantasy fiction are coherently organised, natural, and material. Nevertheless, supernatural elements that are not consis-tent with the structure of the universe are present. The struggle between the structured worlds and the chaotic supernatural that is resolved by an intervention of a barbarian hero constitute the essence of the sword and sorcery subgenre. These elements can also be found in Beyond the Black River by Howard, who employs contrastive images to present the super-natural
Archaeology · Art · Art history · Barbarian · Fantasy · Fictional universe · HERO · Literature · Narrative · SWORD · Folklore, Mythology, and Literature Studies · Gothic Literature and Media Analysis · History · Philosophy · Themes in Literature Analysis
| Highly cited | No |
|---|