Artistic Manifestations
A Vector of Sociocultural Knowledge in Upper Paleolithic Societies
Bibliographic Data
| ID | 19558669 |
|---|---|
| Authors | Lioudmila Iakovleva (Institute of Archeology, corresponding author) |
| Year | 2013 |
| Volume | 5 |
| Publication date | 2013-01-01 |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Palethnologie (JOURNAL) |
| Journal identifiers | ISSN: 2108-6532 • E-ISSN: 2108-6532 |
| Publisher | OpenEdition (PUBLISHER) |
| DOI | 10.4000/palethnologie.5462 |
| OpenAlex | W4381802475 |
| Language | EN |
An overview of Upper Paleolithic sites reveals that the varied forms of artistic manifestations are systemic components of several site types. Historically, in interpretations of the function of sites with prehistoric art, the theoretical starting point has been the definition of a sanctuary according to H. Breuil. Since the formulation of the hypothesis that a sanctuary was a sacred and secret location that was rarely visited, a formal separation has been made between these sites and occupat
Archaeology · Geography · Sociocultural evolution · Sociology · Upper Paleolithic · Anthropology · History · Pleistocene-Era Hominins and Archaeology
| Highly cited | No |
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