Questioning the “Korean Waved” Hijab Style in Indonesia

A Contemporary Qur’anic Approach

Bibliographic Data

ID19566601
AuthorsEgi Tanadi Taufik (0000-0001-9112-8912, Sunan Kalijaga State Islamic University Yogyakarta), Siti Mufidatunrofiah (Sunan Kalijaga State Islamic University Yogyakarta), Nazifatul Ummy Al Amin (Sunan Kalijaga State Islamic University Yogyakarta)
Year2020
Volume9
Issue1
Pages41-62
Publication date2020-04-28
Open AccessYes
TypeARTICLE
VenueTeosofia Indonesian Journal of Islamic Mysticism (JOURNAL)
Journal identifiersISSN: 2302-8017 • E-ISSN: 2540-8186
PublisherUIN Walisongo Semarang (PUBLISHER)
DOI10.21580/tos.v9i1.5365
OpenAlexW3039698497
LanguageEN
Citations received1
References cited7

Innovations on hijab have implications for the expansion of its users. Thus it encourages the growth of new identities for hijab which are then expressed by enriching its style, form, color tone, and fabric. The cultivation of hijab throughs the pop-culture of Korea arose and known as the “Korean waved” hijab. This paper has an opportunity to elaborate on hijab’s contemporary progression worldwide. It reflects the Korean pop-culture and identifies the authenticity of the tradition of wearing the hijab in Indonesia. It problematizes the issue of Korean hijab style and how the Quran responds to it. The research framework used a sequential exploratory model henceforth resulting in a scientific response to the phenomenon of Korea's creative industries in the making of an authentic Indonesian hijab model. The results answered the challenges of the vision of "Making Indonesia 4.0" in developing the industrial sector of textile in Indonesia by tracing ethical, aesthetical, and economic modes of hijab

Aesthetics · Art · Epistemology · Indonesian · Phenomenon · Sociology · Visual arts · Educational Methods and Impacts · Islamic Finance and Communication · Islamic Studies and Radicalism · Philosophy

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