Contemplating “Return”
Xie Lingyun’s “Hillside Garden”
Bibliographic Data
| ID | 19570515 |
|---|---|
| Authors | Ping Wang (0000-0001-6354-2235, University of Washington, corresponding author) |
| Year | 2022 |
| Volume | 7 |
| Issue | 3 |
| Pages | 286-309 |
| Publication date | 2022-05-02 |
| Peer Reviewed | Yes |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Journal of Chinese Humanities (JOURNAL) |
| Journal identifiers | ISSN: 2352-1333 • E-ISSN: 2352-1341 |
| Publisher | Walter de Gruyter GmbH (PUBLISHER • DE) |
| DOI | 10.1163/23521341-12340118 |
| OpenAlex | W4283749372 |
| Language | EN |
| References cited | 6 |
Xie Lingyun was the first of China’s great nature poets. As the most celebrated poet in fifth-century China and a histrionic scion of the illustrious Xie clan of the Eastern Jin, he had cultural influence that extended beyond the literary into religion and philosophy. This article examines Xie’s poetic exploration of the concept of “return” – an important rhetorical trope throughout the history of Chinese literature. By close reading, annotating, and analyzing a selection of Xie’s poems, the article sheds light on the poet’s obsession with instability in the meaning of “return” and argues that beneath the compliant poetic surface lies a saliently dissenting voice. Xie’s distinctive imagery and ideation emerge from an intricate deployment of earlier texts, among which the Classic of Changes is of paramount importance
Aesthetics · Ancient history · Art · China · Dissenting opinion · Emperor · Epistemology · Literature · Original meaning · Poetry · Rhetorical question · Chinese history and philosophy · History · Japanese History and Culture · Law · Philosophy
| Citation velocity | historical |
|---|---|
| Highly cited | No |