Deleuze e a música

O presente trabalho problematiza os modos de pensar a criação no curso de bacharelado em música popular da Universidade Federal de Pelotas-RS. Operando a partir da perspectiva da filosofia da diferença (DELEUZE, 2010; 1999; 2009), a música e a filosofia deleuziana ocupam um lugar de pensamento e ativação artística. São propostas alianças com filósofos e compositores como Tom Zé para abordar a prática de conjunto e a constituição de bandas.Palavras-chave: Filosofia da diferença; Criação musical; Bacharelado em música popular.Deleuze and music: ways to create at the Bachelor’s course in Popular Music at UFPelAbstract: The present investigation discusses ways of thinking about creation in the Bachelor's course in Popular Music at the Federal University of Pelotas-RS, Brazil. Operating from the perspective of the philosophy of difference (DELEUZE, 2010; 1999; 2009), music and Deleuzian philosophy occupy a place of reflection and artistic activation. Alliances are proposed with philosophers and composers like Tom Zé to address ensemble practice and the constitution of bands.Keywords: Philosophy of difference; Music creation; Bachelor's degree in popular music

Art · Bachelor · Constitution · Humanities · Music education · Political science · Popular music · Visual arts · Arts and Performance Studies · Brazilian cultural history and politics · Philosophy · Youth, Politics, and Society