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Weather under pressure

Kin/Aesthetic Practice and Dancerly Scores for Unstable Times

Bibliographic Data

ID19585641
AuthorsJo Pollitt (0000-0002-2821-7768, Edith Cowan University, corresponding author)
Year2025
Volume11
Publication date2025-06-19
Peer ReviewedYes
Open AccessYes
TypeARTICLE
VenueSwamphen a Journal of Cultural Ecology (ASLEC-ANZ (JOURNAL)
Journal identifiersISSN: 2652-2411 • E-ISSN: 2652-2411
PublisherAssociation for the Study of Literature, Environment & Culture Australia & New Zealand (PUBLISHER)
DOI10.60162/swamphen.11.18131
OpenAlexW4416064303
LanguageEN
Citations received1

This paper will offer a re-scored version of my creative presentation given at Recentring the Region. It is a return of sorts to a methodological dancing body that has been taken up with university mechinacia but is remembering again differently my trust in artists, and trust in knowledges under words, under skins. As an artist, I’m interested in the kind of unquestioned extractivism that artist scholars such as Singer (2023) and van Neervan (2021) write of in the academy, I notice it to. And I think about what artists practice invites, expects, and how it contributes in the ecopoliticalpoetic mix particularly as pertaining to increasing kin/aesthetic attention of human-environment relations. The paper harnesses writing as dancing through a practice of improvisation developed over 20years as a honed kind of staying with leaving (in Place), and as a mode of kin/aesthetic attention to support the urgent need for manifesting connection, climate activism, and care with both immediate and speculative climate futures

Climate change · Improvisation · Notice · Tourism · Diversity and Impact of Dance · Geographies of human-animal interactions · Posthumanist Ethics and Activism

  • The Practice of Endings in a Work that has no End

    Jo Pollitt•Performance Research•2024

Unique citing works1
Citations per year0,5
Citation span2024 - 2024 (1)
Citation velocityrecent
Highly citedNo
Citation typesNeutral: 1

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