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The Ecopoetics of Charles Harpur

Bibliographic Data

ID19585668
AuthorsCassandra Julie O'Loughlin, Cassandra O’Loughlin (corresponding author)
Year2013
Volume3
Pages72-81
Publication date2013-10-09
Open AccessYes
TypeARTICLE
VenueSwamphen a Journal of Cultural Ecology (ASLEC-ANZ (JOURNAL)
Journal identifiersISSN: 2652-2411 • E-ISSN: 2652-2411
PublisherAssociation for the Study of Literature, Environment & Culture Australia & New Zealand (PUBLISHER)
DOI10.60162/swamphen.3.10607
OpenAlexW2292695025
LanguageEN
References cited2

Ecopoetics has to do with the realisation of the relationship between human beings and the biosphere. It reflects on what it might mean to dwell with the earth. Before one's country can become accepted as a dwellilng place for the writer's imagination, it must first be discerned, experienced, expressed, and as it were fully engaged. The foreignness of the Australian environment as envisaged by the early European settlers, together with the exploitive ideology of colonialism, proved challenging for colonial writers such as Charles Harpur who felt a sense of connection to the place.This paper examines Harpur's work to determine if it qualifies as ecopoetics as understood in recent studies of literature in relation to the environment. It also seeks to establish his work as a resource for current environmental thinkers, as a point of reference for the consideration of the pre-colonial communicative exchange with this land. His emphasis is on vision: both in a temporal and a transcendental sense

Australian History and Society · Ecocriticism and Environmental Literature · Geographies of human-animal interactions · History

  • Pastoral and Priority

    Ivor Indyk•New Literary History•1993

  • Atmosphere as the Fundamental Concept of a New Aesthetics

    Open Access•Gernot Bohme•Thesis Eleven•1993

Highly citedNo

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